Lik  i,  1978. Watercolor on paper. 63" x 45". Private collection

 Liki, 1978. Watercolor on paper. 63" x 45". Private collection




Graves, Nancy Stevenson. “Statement.”  Paintings by N. Stevenson Graves.  Exh. brochure, The Berkshire Museum, Pittsfield, MA, 1964.


Tucker, Marcia and Nancy Graves. Nancy Graves: Camels. Exh. brochure Whitney Museum of American Art, New York, NY, 1969.


Becker, Wolfgang. Die Neue Galerie Aachen — Bilder und Berichte 29. Aachen, Germany, 1970, p. 12.

Ludwig, Peter and Wolfgang Becker. Klischee und Antiklischee: Bildformen der Gegenwart. Exh. cat., Neue Galerie im Alten Kurhaus, Aachen, Germany, 1970, n.p.

1970 Annual Exhibition: Contemporary American Sculpture.  Exh. cat., Whitney Museum of American Art, NY, 1970, p. 8, no. 30, p. 43 illus.

Zeichnungen amerikanischer Künstler. Exh. cat., Galerie Ricke, Cologne, Germany, 1970, cat. nos. 26, 27 and 28.


"Schedule of Special Events: Nancy Stevenson Graves ‘61,” A.A.V.C. Centennial Celebration1871 – 1971: Alumnae Week, 1971. Vassar College, Poughkeepsie, NY, 1971, n.p.

Becker, Wolfgang, Nancy Graves, Michael Strohmeyer and Phyllis Tuchman. Nancy Graves. Exh. cat., Neue Galerie im Alten Kurhaus, Aachen, Germany, 1971, n.p., no. 17.

Boggs, Jean Sutherland.  The National Gallery of Canada. Toronto, 1971, p. 62.

Burback, Bill. Kid Stuff? Exh. cat. Albright-Knox Art Gallery, Buffalo, NY, 1971, n.p.

Dia-Serie: Kunst der Gegenwart IV: Neue Abstraktion und neuer Realismus. Garmisch-Partenkirchen, Germany, 1971, fig. 805.

Fischer, Konrad, Jurgen Harten and Hans Strelow. Prospect ’71: Projection.  Exh. cat., Städtische Kunsthalle, Düsseldorf, Germany, 1971, n.p.

Larabee, Eric and Irving Sandler. Visiting Artists: A Program Organized by the Institute for the Study of Art in Education with the Support of the New York State Council for the Arts. New York, 1971, n.p.

Millard, Nancy. Nancy Graves: Sculpture, Drawings, and Films of 1969-197. Unpublished manuscript, 1971, 10 pages.

Propokoff, Stephen S. Depth and Presence. Exh. cat., The Corcoran Gallery of Art, Washington, D.C., 1971, n.p.

Prokopoff, Stephen S. Six Sculptors: Extended Structures. Exh. cat., Museum of Contemporary Art, Chicago, IL, 1971, n. p.

Second Annual Review of the National Gallery of Canada, Ottawa, 1969 – 1970/ Deuxième revue annuelle de la Galerie National du Canada, Ottawa, 1969 – 1970. Ottawa, 1971, p. 6.

Septième biennale de jeunes artistes. Exh. cat., Parc Floral, Paris, France, 1971, p. 93, no. 80.

Tuchman, Phyllis. Nancy Graves: Sculpture/Drawings/Films, 1969 – 1971. Neue Galerie im Alten Kurhaus, Aachen, Germany, 1971, n.p.

Von der Osten, Gert and Horst Keller. Kunst der sechziger Jahre: Sammlung Ludwig im Wallraf-Richartz Museum Köln/Art of the Sixties: The Ludwig Collection in the Wallraf-Richartz Museum Cologne. Wallraf-Richartz Museum, Cologne, Germany, 1971, pp. 59 – 60.


Annual Report 1971 – 72, Museum of Modern Art, New York, NY 1973.

Becker, Wolfgang. “Graves,” Neue Galerie der Stadt Aachen/Der Bestand ’72: Kunst um 1970_Art around 1970: Sammlung Ludwig in Aachen. Aachen, Germany, 1972, n.p.

Documenta V: Befragung der Realität Bildwelten Heute. Kassel, 1972.

Fourth Annual Review of the National Gallery of Canada, Ottawa 1971 – 1972/Quatrième revue annuelle de la Galerie nationale du Canada Ottawa 1971-1972. National Museums of Canada, 1972, frontispiece, pp. 7, 8, 33, and 73.

1972 Annual Exhibition, Contemporary American Painting. Exh. cat., Whitney Museum of American Art, New York, NY, 1972, p. 8, no. 48.

Niester, Sibylle and Lil Picard. GEDOK:American Women Artists Show. Exh. cat., Kunsthaus Hamburg, Hamburg, Germany, 1972, p. 44 and 47, no. 37.

Rainer, Yvonne and Martin W. Cassidy. Nancy Graves: Sculpture and Drawings 1970 – 1972. Exh. cat. Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, 1972.

W., C. J. and R. L. W., Painting and Sculpture Today: 1972. Exh. cat., Indianapolis Museum of Art, Indianapolis, IN, p. 16.


Alloway, Lawrence. Photo-Realism: Paintings, Sculpture and Prints from the Ludwig Collection and Others. Exh. cat., The Arts Council/Serpentine Gallery, London, England, 1973.

Belloli, Jay, Sebastien Adler and Nancy Graves. Nancy Graves. Exh. cat., La Jolla Museum of Contemporary Art, La Jolla, CA, 1973.

Budde, Rainer and Evelyn Weiss. Katalog der Bildwerke und Objekte: Neuzugänge seit 1965 im Wallraf-Richartz Museum mit Teilen der Sammlung Ludwig. Cologne, Germany, 1973, pp. 26 and 49.

Ginsburg, Susan. 3D into 2D: Drawing for Sculpture.  Exh. cat., The New York Cultural Center, New York, NY, 1973, pp. 3, 10 and 29.

Hess, Thomas B. and Elizabeth Baker. Art and Sexual Politics: Women’s Liberation, Women Artists and Art History. Collier Macmillan Publishers, 1973, p. 121. Reprint of essays from ARTnews 69, January 1971.

Johnson, Charlotte Buel. Contemporary Art: Exploring Its Roots and Development Worcester, MA, 1973, pp. 86 and 88.

1973 Biennial Exhibition: Contemporary American Art. Exh. cat., Whitney Museum of American Art, NY, 1973, pp. 10 and 40 illus.

Sager, Peter. “Fotografischer Realismus.” Neue Formen des Realismus; Kunst zwischen Illusion und Wirklichkeit. Cologne, Germany, 1973, pp. 54, 134, 264, and 281.

Solomon, Elke. American Drawings: 1963-1973. Exh. cat., Whitney Museum of American Art, New York, NY, 1973, pp. 27 and 58.

The Art Collection of First City National Bank of Houston. First City National Bank of Houston, TX, 1973, n.p.

Visual Resources: Contemporary Art Slides/73. New York, NY, 1973, pp. 7, 8 and 20.


Art Now 74: A Celebration of the American Arts. Exh. cat. John F. Kennedy Center for the Performing Arts, Washington D.C., 1974, pp. 43 illus. and 93.

Bauer, John I.H. Whitney Museum of American Art: Catalogue of the Collection of American Art. New York, NY, 1974, np.

Baum, Peter. Kunst der sechziger Jahre: Internationale Graphik in Beispielen der Sammlung Ludwig, Köln. Exh. cat., Wallraf-Richartz-Museum, Cologne, Germany; 1974, n. p., cat. nos. 4 – 13.

Call, H. and W. Reuter. Das Gesicht Aachens. Mayer'schen Buchhanlung Aachen, Aachen, Germany, 1974, np.

Fried, Raymond John. Twentieth Century Art: The Fort Wayne Art Museum. Ex. Cat., Fort Wayne Art Museum, Fort Wayne, IN, 1974 or 75?, n.p.

Kelly, James J. The Sculptural Idea, 2 ed. Burgess Publishing Co., Minneapolis, MN, 1974, pp. 99 and 100.

Sammelmappe1. Sammlung Ludwig Neue Galerie, Aachen, Germany, 1974.

Speyer, A. James. Seventy-first American Exhibition.  Exh. cat., The Art Institute of Chicago, IL, 1974, p. 24, nos. 37 and 38.

Weiss, Evelyn. “Die wiedergefundene Zeit/The Rediscovered Time.” Kunst belibt Kunst: Projekt ’74. Exh. cat. Kunsthalle, Cologne, Germany, 1974, pp. 20, 210, 211 and 431.

Weisweiler, Crous, C. Aachen. Cologne, Germany, 1974, p. 42.

Wood, James N. and Douglas Schultz. American Art in Upstate New York: Drawings, Watercolors and Small Sculpture from Public Collections in Albany, Buffalo, Ithaca, Rochester, Syracuse and Utica. Exh. cat., Albright-Knox Art Gallery, Buffalo, NY, 1974, p. 25.


Butor, Michel, Jean Clair and Suzanne Houbart-Wilkin. Delvaux. Brussels, Belgium, 1975, pp. 125 and 127.

Collins, Jim L. Women Artists in America II. Collins, Chattanooga, Tenn., 1975.

Junkin, Sara and John H. Lawrence. “Nancy Graves.” Primitive Presence in the ‘70’s. Exh. cat., Vassar College Art Gallery, Poughkeepsie, NY, 1975, pp. 5 and 10.

Kultermann, Udo. Neue Formen des Bildes. Wasmuth, Tübingen, Germany, 1975.

Read, Herbert.  A Concise History of Modern Painting 3 ed. Praeger New York, NY, 1975, pp. 365 and 381.

Rose. Barbara. Readings in American Art, 1900 – 1975. Praeger Publishers, Inc., New York, NY, 1975, p. ?

Rosenberg, Harold. “On the Edge: Documenta V.” Art on the Edge: Creators and Situations. New York, NY, 1975, pp. 268 and 269.

Shapiro, Miriam. Art: A Woman’s Sensibility. California Institute of the Arts, Valencia, CA, 1975, pp. 25 and 80.

Smith, Sharon. Women who Make Movies. Hopkinson and Blake, New York, NY, 1975, p. ?

Thomas, Karin. Bis Heute: Stilgeschichte der bildenden Kunst im 20. Jahrhundert. Cologne, Germany, 1975, pp. 273, 314, 343 and 357.

Wedewer, Rolf, “Zeichnungen III/Drawings III,” USA Zeignungen 3.  Exh. cat., Stadtisches Museum, Schloss Morsbroich, Leverkusen, Germany, 1975, pp. 46 and 127.

Wechsler, Jeffrey. A Response to the Environment. Exh. cat., Rutgers University Art Gallery, New Brunswick, NJ, 1975,  p. ?


Block, René et al. New York — Downtown Manhattan: Soho. Exh. cat., Akademie der Künste, Berliner Festwochen, Berlin, Germany, 1976, pp. 358, 412 and 416.

DuMont’s Bild-Lexikon der Kunst: Künstler/Stile/Techniken. DuMont Buchverlag. Cologne, Germany, 1976, pp. 263 and 264.

Ellenzweig, Allen et al. A Selection of American Art: The Skowhegan School, 1946 – 1976. Exh. cat., Institute of Contemporary Art, Boston, MA, 1976, pp. 76 and 77.

Second International Festival of Women’s Films. Cinema Studio, New York, NY, 1976, p. 33.

Geelhaar, Christian. American Historical Images: US Druckgraphik der Gegenwart. Exh. cat., Staatliche Graphische Sammlung, Munich, Germany, 1976.

Hess, Thomas B. Project Rebuild: An exhibition to aid earthquake-damaged Udine.  Exh. brochure, Grey Art Gallery and Study Center, New York University, New York, NY, 1976, p. 3.

Honisch, Dieter and Jens Christian Jensen.  Amerikanische Kunst von 1945 bis heute. Cologne, Germany, 1976, pp. 188, 189, 220 and 331.

Kardon, Janet. Private Notations: Artists’ Sketchbooks II. Exh. cat., Philadelphia College of Art, Philadelphia, PA, 1976, n.p.

Lippard, Lucy R. From the Center: Feminist Essays on Women's Art. New York, NY, 1976, pp. 109, 118 – 120, 277, 280 – 290.

Livingston, Jane, The Liberation: 14 Women Artists. Exh. brochures published by the United States Information Agency, 1976.

Mendelowitz, Daniel M. A Study Guide to Drawing. Holt, Rinehart & Winston, New York, NY, revised edition, 1976, p. ?

New American Filmmakers: Selections from the Whitney Museum of American Art Film Program. The American Federation of Arts, New York, NY, 1976, p. 52.

Rosenblum, Robert R. et al., America 1976: A Bicentennial Exhibition Sponsored by the United States Department of the Interior.  Exh. cat.  Department of the Interior and Corcoran Gallery of Art, Washington, D.C., 1976, pp. 11, 12, 44, 45 and 80

Simkins, Alice C. American Artists ’76: A Celebration. Exh. cat. Marion Koogler McNay Art Institute, San Antonio, TX, 1976, n.p. no. 23.

Tucker, Marcia. “Shared Space; Contemporary Sculpture and its Environment,” and Libby Seaberg, “Artist’s Biography” in Two Hundred Years of American Sculpture. Exh. cat., Whitney Museum of American Art, New York, NY, 1976, pp. 216, 217, 219, 229, 235, 237, 241, 275 and 340.

Weiss, Evelyn. Katalog der Gemalde des 20. Jahrhunderts: Die jüngeren Generation ab 1915 im Museum Ludwig Cologne, Germany, 1976, pp. 38 and 39 and no. 155.

Weiss, Evelyn and Peter Ludwig. Stiftung Ludwig Köln, 1976 Ludwig Donation Museum der Stadt Köln, Cologne, Germany, 1976, n.p., nos. 74 – 81.

Who’s Who in American Art. Jacques Cattell Press, 1976.


Becker, Wolfgang. Der Ausgestellte Künstler: Museumskunst seit 45/ The Artist Exhibited: Art for the Museum since 45 / L’Artiste Exposé: L’art de Musée depuis 45, vol.1 Ludwig Collection, Aachen, Germany, 1977, n.p.

Brodsky, Judith K. Contemporary Issues: Works on Paper by Women. Exh. brochure, The Women’s Caucus for Art and the Woman’s Building, Los Angeles, CA, 1977, n.p.

Contemporary Artists. St. James Press, London, 1977 illus.

Documenta 6: Malerei/Plastik-Environment/Performance. Exh. cat. Documenta 6, Kassel, Germany, 1977, vol. 1, pp. 76 and 77.

Documenta 6: Handzeichnungen/Utopisches Design/Bücher. Exh. cat. Documenta 6, Kassel, 1977, vol. 3, pp. 127, 136 and 137.

Ekdahl, Janis. American Sculpture: A Guide to Information Sources. Gale Research Co. 1977, p. ?

Gablik, Suzi. Progress in Art. Rizzoli, New York, NY, 1977, p. 89, no. 154.

Goldman, Judith. Art Off the Picture Press: Tyler Graphics, Ltd. Exh. cat., The Emily Lowe Gallery, Hofstra University, Hempstead, Long Island, NY, 1977, pp. 35, 37, 38, 46 and 47.

Invitational American Drawing Exhibition. Exh. cat., Fine Arts Gallery of San Diego, San Diego, CA, 1977, n.p.

Kardon, Janet. Artists’ Maps. Exh. cat., Philadelphia College of Art, Philadelphia, Pa, 1977, n.p.

Kardon, Janet. Time. Exh. cat., Philadelphia College of Art, Philadelphia, PA, 1977, pp. 9 and 39.

Lippard, Lucy R. Strata: Nancy Graves, Eva Hesse, Michelle Stuart, Jackie Winsor. Exh. cat., The Vancouver Art Gallery, Vancouver, Canada, 1977, pp. 4 – 7, 28 and 29.

Marshall, Richard. Maps: Selections from the Art Lending Service, Winter Penthouse Exhibition, The Museum of Modern Art, New York. Exh. checklist, The Museum of Modern Art, New York, NY, 1977, n.p.

Mayr, Hans, Wolfgang Becker, Kristin Sotriffer, and Peter Baum. Sammlung Ludwig Aachen — Kunst um 1970 /Art Around 1970. Exh. cat., Künstlerhaus, Vienna, Austria, 1977, n.p..

Metken, Günter. Spurensicherung: Kunst als Anthropologie und Selbstforschung/Fiktive Wissenschaften in der heutigen Künst. Cologne, Germany, 1977, pp. 81 – 84 and 148.

Nevelson, Louise and Alan Ellenzweig. Artists Salute Skowhegan. Exh. cat., Kennedy Galleries, NY, 1977, n.p.

Nancy Graves. Tyler Graphics, Ltd., Bedford Village, NY, 1977. Brochure for six prints produced between January and August 1977. 

Prown, Jules David and Barbara Rose. American Painting: From the Colonial Period to the Present, 2nd ed. Macmillan, New York, NY, 1977, pp. 241-243.

Recent Works on Paper by American Artists. Exh. cat., The Madison Art Center, Madison, WI, 1977, pp. 15 and 44.

Richter, Wolfgang and Hermann Weisweiler. Kunststadt Aachen Cologne, Germany, 1977, pp. 156, 162, 169, 187, 189, 200, 202, 214 and 215.

Sale, Courtney. New York: The State of Art. Exh. checklist, The New York State Museum, Albany, NY, 1977, no. 518.

Seabolt, Fred and Donald Goodall. New in the Seventies. Exh. cat., Archer Huntington Gallery, University Art Museum, The University of Texas at Austin, TX, 1977.

The School of Art at Yale. The Campaign for Yale, New Haven, CT, 1977, n.p.

Thomas, Karin and Gerd de Vries. DuMont’s Künstler Lexikon: Von 1945 bis zu Gegenwart. DuMont Buchverlag, Cologne, 1977, pp. 169 – 170.

W., A. B., Works from the Collection of Dorothy and Herbert Vogel. Exh. cat. The University of Michigan Museum of Art, Ann Arbor, MI, 1977, n.p.


Artists/America.  Brochure, The Brooklyn Museum, Brooklyn. NY, Education Department Public Programs Brochure, Spring 1978.

Becker, Wolfgang and David Galloway. The Ludwig Collection. Exh. cat. Tehran Museum of Contemporary Art, Tehran, Iran, 1978, n.p.

Cathcart, Linda L. American Painting of the 1970s. Exh. cat., Albright-Knox Art Gallery, Buffalo, NY, 1978, pp. 8, 28 and 76.

Distel, Herbert and Peter Killer. Das Schubladenmuseum/Le Musée en Tiroirs/The Museum of Drawers. Exh. cat., Kunsthaus Zurich, Zurich, Switzerland, 1978, pp. 24 and 57.

Frank, Peter. Mapped Art: Charts, Routes, Regions. Exh. brochure, Nobé Gallery, New York, NY, October 1978.

Kardon, Janet, Point. Exh. cat., Phildelphia College of Art, Philadelphia, PA, 1978, pp. 10, 11, 15 and 27.

Metken, Günter. “Annotazioni di Cultura e Scienza Nello Stesso Tempo…,” in Giorgio Cortenova, La Creazione Volgea alla Fine. Genoa, Italy, 1978, pp. 34 – 36.

Plous, Phyllis. Contemporary Drawing/New York .Exh. cat., University of California at Santa Barbara Art Museum, Santa Barbara, CA, 1978, pp. 6, 20 and 21.

Schwartz, Therese. Perspective ’78: Works by Women. Exh. cat., Freedman Gallery, Albright College, Reading, PA, 1978, pp. 16 and 17.

Serious Business Company. Film and video rental catalogue. Oakland, CA, 1978, cover and p. 14.

Simonds, Charles, moderator. Nancy Graves, Leo Rosshandler, Tony Urquhart and Alex Wyse, panelists. “Primitivism and Cult Objects,” Sculpture Today: 10th International Sculpture Conference/ Sculpture aujourd’hui: 10e conference internationale de la sculpture. Symposium catalogue, International Sculpture Center, Toronto,Canada, May 31 to June 4, 1978, pp. 33 – 35.

The Lawrence H. Bloedel Collection of American Art. Published Privately, 1978, p. 19.


Annual Exhibition: American Academy in Rome. Exh. cat., American Academy, Rome, Italy, 1979, n. p.

Annual Report. Contemporary Art Museum, Houston, TX, 1979

Billeter, Erika et al., Weich und Plastisch: Soft-Art. Exh. cat. Kunsthaus Zurich, Zurich, Switzerland, 1979, pp. 84, 85, 188 and 200.

Butler, Hiram Carruthers et al. Documents, Drawings and Collages: Fifty American Works on paper from the Collection of Mr. and Mrs. Stephen D. Paine. Exh. cat. Williams College Museum of Art, Williamstown, MA, 1979, pp. 49, 58 – 59, 72 and 123.

Cladders, Johannes. Museum moderner Kunst: Sammlung Hahn. Vienna, Austria, 1979, n.p., no. 131.

Coopérative des cinéastes indépendants: catalogue and guide 5. Montréal, Québec, Canada, 1979 – 1980, p. 59.

Fillitz, Hermann, ed. Museum Moderner Kunst: Kunst der Letzten 30 Jahre. Vienna, Austria, 1979, n.p.

Fillitz, Hermann, ed. Museum Moderner Kunst: Sammlung Ludwig. Vienna, Austria, 1979, n.p.

Goldman, Judith. Print Publishing in America. Exh. cat., United States International Communication Agency, 1979, n.p.

Harvey, Donald. Seven Artists at Tyler Graphics Ltd. Exh. cat., Trisolini Gallery, Ohio Univeristy, Athens, Ohio, 1979, pp. 5, 8, 9 and 22.

Haverstock, Mary Sayre. An American Bestiary. New York, NY, 1979, pp. 228-229.

Kardon, Janet. Masks, Tents, Vessels, Talismans. Exh. cat., Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA. 1979, pp. frontispiece, 15, 17, 19, 26, 27 and 36.

Karlin, Renata and Lucy R. Lippard, Exchanges I. Exh. cat. Henry Street Settlement, Louis Abrons Arts for Living Center, New York, NY, 1979, n.p.

Karpel, Bernard, ed. Arts in America: A Bibliography, vol. 1. Washington D.C., Smithsonian Institution, 1979, p. ?

Munro, Eleanor. Originals: American Women Artists. ew York, 1979, pp. 41, 54, 55, 313, 391, 486, 506 and Portfolio of Color Part III..

Peterson, Karen and J.J. Wilson. Women Artists: Recognition and Reappraisal from the Early Middle Ages to the Twentieth Century 2 ed. London, England, 1979, p. 130.

Rose, Barbara.  American Painting: The Eighties, A Critical Interpretation. Vista Press, 1979, n.p.

Ruhrberg, Karl, Evelyn Weiss and Dieter Ronte. Handbuch Museum Ludwig: Kunst des 20 Jahrhunderts Gemälde, Skulpturen, Collagen, Objekte, Environments (Cologne, Germany, 1979), pp. 256 – 258 and 850.

Skowhegan School of Painting & Sculpture. Skowhegan, ME, Summer 1979, n.p.

Sollins, Susan and Elke Solomon. Supershow. Exh. cat. Independent Curators Incorporated, New York, NY, 1979, pp. 2, 9, 23 and 27.

Thorson, Victoria. Great Drawings of All Time: The Twentieth Century. Shorewood Press, 1979, p. ?


Cathcart, Linda. Nancy Graves: A Survey, 1969/1980. Exh. cat., Albright-Knox Art Gallery, Buffalo, NY, 1980.

Daval, Jean-Luc et al. Skira Annual: Art Actuel: Numéro Special 1970  – 1980/Actual Art: Special Issue 1970-1980. Geneva, Switzerland, 1980, pp.126, 127 and 157.

Harkavy, Donna and Holden Luntz. The Continuing Tradition of American Abstraction.  Exh. cat. Gallery 700, Milwaukee, WI, 1980, n.p.

Kardon, Janet et. al., Drawings: The Pluralist Decade.  Exh. cat. 39th Venice Biennale, Venice, Italy Institute of Contemporary Art, Philadelphia, PA, 1980, pp. 93 and 107.

Kardon, Janet et al., Drawings: The Pluralist Decade. Exh. cat. Institute of Contemporary Art, Philadelphia, PA, 1980, pp. 89 and 90.

Lindey, Christine. Superrealist Painting and Sculpture London, England and New York, NY, 1980, pp. 142 – 144 and 147.

Lucie-Smith, Edward. Art in the Seventies. Oxford, England, 1980, p. ?

Malangré, Kurt and Heiner Berger. 10 Jahre Neue Galerie — Sammlung Ludwig: Aachen 1970 – 1980. Aachen, Germany, 1980. n.p.

Perceiving Modern Sculpture: Selections for the Sighted and Non-Sighted.  Exh. cat., Grey Art Gallery and Study Center, New York University, New York, NY, 1980, pp. 36 and 37.

Quargnal, Elettra and Marisa Volpi Orlandini. Arte Americana Contemporanea. Exh. cat., Civici Musei e Gallerie di Storia e Arte, Udine, Italy, 1980, pp. 74 and 75.

Schwartzman, Allan, Kathleen Thomas and Marcia Tucker. The 70’s: New American Painting /Az 1970 — es évek új amerikai festézete/ Lata Siedemdziesiate: Nowe Malarstwo Amerykaskie. Exh. cat., The New Museum, New York, NY, 1980, n. p.


Agee, William C.. “Introduction.” The Museum of Fine Arts, Houston: A Guide to the CollectionHouston, TX, 1981, p. 176.

Chisholm, Lorraine. “Introduction.” Projects and Projections: Drawings for Contemporary Sculpture. Exh. brochure, The Upstairs Gallery, Mount Saint Vincent University, Halifax, Canada, 1981, cat. no. 3. 

Kelly, James J. The Sculptural Idea 3rd ed.  Minneapolis, MN, 1981, pp. 58, 67 and 89.

Namuth, Hans and Tomkins, Calvin. Hans Namuth, Artists 1950-81: A Personal View.  Pace Gallery Publications, New York, NY, 1981, n.p.

Russell, John. The Meanings of Modern Art New York, NY, 1981, pp. 395-398.

Sandler, Irving. Twenty Artists: Yale School of Art, 1950 – 1970. Exh. cat., Yale Univeristy Art Gallery, New Haven, CT, 1981, pp. 17, 19, 20, 42 and 43.

Smith, Roberta. 4 Artists and the Map: image/process/data/place. Exh. cat., Spencer Museum of Art, The University of Kansas, Lawrence, KS, 1981, pp. 7, 11 – 13, 18 and 24 – 31.


Ackerman, Andrew S. and Susan L. Braunstein. Israel in Antiquity. Exh. cat., The Jewish Museum, New York, 1982, p. 125, no. 126.

Balken, Debra Bricker. 1982 Invitational Exhibition. Exh. cat., The Berkshire Museum, Pittsfield, MA. 1982, pp. 9 and 16.

Belz, Carl et al., A Private Vision: Contemporary Art from the Graham Gund Collection. Exh. cat. Museum of Fine Arts, Boston, MA, 1982, pp. 26 and 27.

Brutvan, Cheryl A., Marti Mayo and Linda L. Cathcart, In Our Time: Houston’s Contemporary Arts Museum, 1948 – 1982. Exh. cat. Contemporary Arts Museum, Houston, TX, 1982, pp. 58, 67 and 74.

Des Moines Art Center, Annual Report, July 1, 1981-June 30, 1982. Des Moines Art Center, Des Moines, IA, 1982.

Elsen, Albert. Casting: A Survey of Cast Metal Sculpture in the 80’s. Exh. cat. Fuller Goldeen Gallery, San Francisco, CA, 1982, n.p., nos. 3 and 11.

Feldman, Edmund Burke. The Artist (Englewood Cliffs, NJ, 1982), p. 15.

Fox, Judith Hoos. Metals: Cast-Cut-Coiled. Exh. brochure, Museum of Art, Rhode Island School of Design, Providence, RI, 1982, n.p.

Hassan and Speicher Fund Purchase Exhibition. Exh. brochure, American Academy and Institute of Arts and Letters, New York, NY, 1982, n.p., nos. 26 and 27.

Le 2ème Festival international du film sur l’art. Exh. cat., Le Musée d’art contemporain Montreal, Canada, 1982, p. 32.

On Art and Artists: The Video Data Bank. The School of the Art Institute of Chicago, Chicago, IL, 1982, pp. 6 and 17.

Osterwald, Tilman and Andreas Vowinckel. Vergangenheit/ Gegenwart/ Zukunft:Zeitgenössische Kunst und Architektur. Exh. cat. Württembergischer Kunstverein, Stuttgart, Germany, 1982, pp.158, 159 and 313.

Rubinstein, Charlotte Streifer. American Women Artists from Early Indian Times to the Present. Boston, MA and New York, NY, 1982, pp. 416 – 418, 513 and 514.

The Gihon Foundation Presents Works. The Gihon Foundation, Dallas, TX, 1982, brochure, n.p.

Women of the Americas: Emerging Perspectives. Exh. cat., Center for Inter-American Relations and Kouros Gallery, New York, NY, 1982, n.p.


Andrews, Oliver. Living Materials: A Sculptor’s Handbook. University of California Press, London, England, 1983.

Balken, Debra Bricker, New Decorative Art. Exh. cat. The Berkshire Museum, Pittsfield, MA, 1983, n.p.

Firnberg, Hertha and Dieter Ronte, Egyetemes Müvészet 1960 Után: A Bécsi Museum Moderner Kunst és a Ludwig — Alapitvány kiállitása Elé (Internationale Kunst Seit 1960: Ausstellung des Museums moderner Kunst, Wein mit Stiftung Ludwig). Exh. cat. Museum of Modern Art, Budapest, Hungary, 1983, pp. 11, 26 and 27.

Geldzahler, Henry, American Accents. Exh. cat. Rothmans of Pall Mall, Canada, 1983, n.p.

Hahnhardt, John G., Barbara Haskell, Richard Marshall and Patterson Sims. 1983 Biennial Exhibition: Painting, Sculpture, Photography: Installations, Films, Video. Exh. cat. Whitney Museum of American Art, New York, NY, 1983, p. 27.

Muriel Emanuel, ed. Contemporary Artists. St. Martin’s Press, Inc., New York, NY, 1983.

Ruhrberg, Karl et al. Handbuch Museum Ludwig  — Kunst des 20 Jahrhunderts; Gemalde/Skulpturen/Collagen/Objekte/Environments vol. 2. Museum Ludwig, Cologne, Germany, 1983, p. 178.

Tuchman, Phyllis. Nancy Graves: Painting & Sculpture 1978/1982. Exh. cat. Santa Barbara Contemporary Art Forum, Santa Barbara, CA, 1983, n. p.


A Celebration of American Women Artists, Part II: The Recent Generation. Exh. cat. Sidney Janis Gallery, New York, NY, 1984, n.p., no. 12 (work shown in part I and illus. in part II.

Armstrong. Elizabeth and Martin Friedman. Prints From Tyler Graphics. Exh. cat. Walker Art Center, Minneapolis, MN, 1984, pp. 5, 11 and 17.

Bates, Mary, Albert Elsen and Susan Moulton, Works in Bronze: A Modern Survey.  Exh. cat,. University Art Gallery, Sonoma State University, Rohnert Park, CA, 1984, pp. 3, 15, 36 and 37.

Becker, Wolfgang Astrid Becker and Ardi Poels. Aspekte Amerikanischer Kunst der Gegenwart: Neue Erwerbungen der Sammlung Ludwig . Exh. cat. Neue Galerie–Sammlung Ludwig, Aachen, Germany, 1984, n.p.

Bulletin of the Whitney Museum of American Art. Whitney Museum, New York, NY, 1983-84, p. 9.

De Coppet, Laura and Alan Jones. The Art Dealers: The Powers Behind the Scenes Tellthe Art World Really Works. C.N. Potter, New York, NY, 1984.

Freeman, Phyllis, Eric Himmel, Edith Pavese and Anne Yarowsky, eds. New Art. New York, NY, 1984, p. 90.

Hammond, Harmony. “Reviewing from the Center.” Wrappings: Essays on Feminism, Art, and the Martial Arts. New York, NY, 1984, pp. 50 and 52.

Hudson, David C., Roger Mandle and Susan LeCron. Citywide Contemporary Sculpture Exhibition in Downtown Toledo. Exh. cat., The Toledo Museum of Art and Crosby Gardens, Toledo, OH, 1984, pp. 11, 14 and 53.

International Book of Honor (Raleigh, NC, 1984), p. ?

Lauter, Estella.  Women as Mythmakers: Poetry and Visual Art by Twentieth-Century Women. Bloomington, IN, 1984, pp. 158 – 163.

Master Drawings, 1928 – 1984. Exh. cat., Janie C. Lee Gallery, Houston, TX, 1984, no. 22.

Master Drawings, 1879 – 1984. Exh. cat. Janie C. Lee Gallery, New York, NY, 1984, no. 34.

McDonald, Robert. Art of the States: Works from a Santa Barbara Collection.  Exh. cat. Santa-Barbara Museum of Art, Santa Barbara, CA, 1984, pp. 18, 19 and 46 – 49.

Miller-Keller, Andrea and John B. Ravanel. From the Collection of Sol LeWitt. Exh. cat.

The University Art Museum, California State University at Long Beach, CA, 1984, n.p..

Olympian Gestures. Exh. brochure Los Angeles County Museum of Art, Los Angeles, CA, 1984, n.p.

Phillips, Lisa. The Third Dimension: Sculpture of the New York School. Exh. cat., Whitney Museum of American Art, NY, 1984, pp. 41 and 43.

Polich, Richard F., Nancy Graves, Toni Putnam and Michael Steiner. Transformations. Exh. brochure, The Katonah Gallery, Katonah, NY, 1984, n.p., nos. 3 and 4.

Reynolds, Gary A. American Bronze Sculpture: 1850 to the Present. Exh. cat., The Newark Museum, Newark, NJ, 1984, p. 65.

Robinson, Joan Seeman. "Nancy Graves." Great American Artists: The Skowhegan Medal Recipients. Calvin Tompkins. New York, London and Skowhegan, Maine, 1984, pp. 84 and 85.

Severinghaus, J. Walter, Dorothy C. Miller and Robert Rosenblum. Art as Work: The Chase Manhattan Collection. New York, NY, 1984, p. 221.

Spector, Nancy. “Nancy Graves.” Six in Bronze, cur. Phyllis Tuchman. Exh. cat., Williams College Museum of Art, Williamstown, MA, 1984, n. p.

Varnedoe, Kirk. “Contemporary Explorations.” Primitivism’ in 20th Century Art vol. 2 William Rubin, ed. The Museum of Modern Art, New York, NY, 1984, pp. 678 and 679.

Ronte, Dieter. "Le Temps des vestiges ou la projection du passé dans l’art des années 70.” L’Art et le temps. Société des Expositions du Palais des Beaux-Arts, Brussels, Belgium, 1984, pp. 243 and 244.

Women Artists/Filmmakers: A Festival of Film as Art, The Woman’s Perspective. Exh. cat., University of North Carolina at Greensboro, NC, 1984, p. 14.


Apropos Alumnae. Miss Hall’s School, Pittsfield, MA., 1985, pp. 65 and 66.

Becker, Wolfgang, Peter Ludwig, Louise Robbert and Øystein Hjort. Amerikanst 80-tal: Måleri, skulptur och textil frånNeue Galerie, Sammlung Ludwig, Aachen. Exh. cat., Liljevalchs Konsthall, Stockholm, Sweden, 1985, pp. 13 and 68 – 71.

Des Moines Art Center: Selected Paintings, Sculpture and Works on Paper. Des Moines Art Center, Des Moines, IA, 1985, pp. 77 and 78.

Dreikausen, Margaret.  Aerial Perception:The Earth as Seen From Aircraft and Spacecraft and Its Influence on Contemporary Art. Philadelphia, London and Toronto: Associated University Presses, 1985, pp. 46, 55, 57 – 59.

Felshin, Nina and Thomas McEvilley. Focus on the Image: Selections from the Rivendell Collection.  Exh. cat.  The Art Museum Association of America, 1985, pp. 10, 66 and 67.

Giamatti, Bart. “Foreword.” Yale Arts Award for Outstanding Achievement 1985. New Haven, CT, 1985, n. p.

Golahny, Amy, Anne Sutherland Harris and Elaine King. Sculpture by Women in the Eighties. Exh. cat., University of Pittsburgh Gallery, Pittsburgh, PA, 1985, pp. 8, 9, 13, 22 – 24 and 28.

Henry, Sara Lynn. "Introduction.” Debra Jellenik. "Nancy Graves.” The Graves Donation: Contemporary Art in the University Collection. Drew University, Madison, NJ, 1985, n.p.

Hunter, Sam and John Jacobus. Modern Art. New York, NY, 1985, pp. 386 and 390.

Krantz, Les. American Artists/An illustrated survey of leading contemporary Americans. New York, NY and Oxford, England, 1985, p. 125.

Kramarsky, Werner. The Drawing Center Show. Exh. cat., Elaine Benson Gallery, Inc., Bridgehampton, NY, 1985, n. p.

Lucie-Smith, Edward. Movements in Art since 1945. New and Revised edition. New York, NY, 1985, pp. 266, 267 and 282.

Mile-4: Chicago Sculpture International. Exh. cat., State Street Mall, Chicago, IL, 1985, pp. 17 and 33.

Monaghan, Kathleen M. New Dimensions. Exh. brochure, Akron Art Museum, Akron, OH, 1985, n.p.

Mulaire, Bernard. Chien: Essai sur une installation de Suzanne Gauthier. Saint-Boniface, Manitoba Canada, 1985, pp. 24, 25 and 42.

Neff, Terry A. R., ed. Selections from the Frito-Lay Collection. Frito Lay, Dallas, TX, 1985, p. 24.

Neuberger Museum, New Acquisitions: 1984 – 85. State University at Purchase. Purchase, NY, 1985.

Smith, Roberta, Vernacular Abstraction. Exh. cat.,  Spiral, Wacoal Art Center, Tokyo, Japan, 1985, pp. 34, 35 and 55 – 60.

Trisha Brown Company: Premiere City Center Season. Brochure, New York, September 17 – 22, 1985, .

Yard, Sally. An Architect's Eye: Selections from the Collection of Graham Gund. Exh. cat., Mount Holyoke College Art Museum, South Hadley, MA, 1985, pp. 7, 8, 41 and 53.


American Prints, 1960 – 1985 in the Collection of the Museum of Modern Art  (Museum of Modern Art, New York, NY, 1986), pp. 136 – 137.

Arnason, H. H.  History of Modern Art, 3rd ed. New York, NY, 1986, pp. 309, 662 – 664.

Art in the Environment: A Publication in Cooperation with the President’s Ball. Boca Raton Museum of Art, Boca Raton, FL, 1986, p. 54.

Balken, Debra Bricker and Linda Nochlin. Nancy Graves: Painting, Sculpture, Drawing, 1980 – 85.  Exh. cat. Vassar College Art Gallery, Poughkeepsie, NY, 1986.

Caldwell, Susan, Stephen Nowlin and Melinda Wortz. Pasadena Collects: The Art of Our Time. Exh. cat. Pasadena Art Alliance, Pasadena, CA, 1986, pp. 7, 37 and 42.

Dreishpoon, Douglas and Katy Kline. Natural Forms and Forces: Abstract Images in American Sculpture. Exh. cat. List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, MA, 1986, pp. 19, 30 – 34 and 66.

Fischer, Alfred M. et al. 100 Arbeiten auf Papier aus der Graphischen Sammlung des Museums Ludwig Köln. Museum Ludwig, Cologne, Germany, 1986, p. A15.

Gohr, Siegfried, Evelyn Weiss and Gerhard Kolberg. Museum Ludwig Köln - Gemälde, Skulpturen, Environments vom Expressionismus bis zur Gegenwart: Bestandskatalog. Munich, Germany, 1986, vol. II, pp. 83 and 84.

Hopkins, Henry T. Sculpture and Works in Relief. Exh. cat. John Berggruen Gallery, San Francisco, CA, 1986, p. 34.

Hunter, Sam, ed. An American Renaissance: Painting and Sculpture Since 1940. Exh. cat. Museum of Fort Lauderdale, Ft. Lauderdale, FL, 1986, pp. 24, 25, 219, 234, 235, 262 and 264.

Marshall, Richard and Robert Mapplethorpe. 50 New York Artists. San Francisco, CA, 1986, pp. 10, 50 and 51.

Master Drawings 1918 – 1985. Exh. cat. Janie C. Lee Master Drawings/ Hermine Chivian-Cobb, New York, NY, 1986, no. 27.

Nancy Graves: New Sculpture. Exh. cat., Richard Gray Gallery, Chicago, IL, 1986.

Nierengarten-Smith, Beej, George McCue and Catherine Cleary. Laumeier Sculpture Park First Decade: 1976 – 1986. Laumeier Sculpture Park, St.. Louis, MO, 1986, p. 105.

Opitz, Glen B., ed. Mantle Fielding’s Dictionary: American Painters, Sculptors and Engravers. Dealers Choice Books, 1986 , p. ?

The Robert O. Anderson Building, Los Angeles County Museum of Art: Post Cards of the 20th Century Art Collection. Los Angeles County Museum of Art, Los Angeles, CA, 1986.

Powell, III, Earl A., Robert Winter, Tim Street-Porter and Stephanie Barron. The Robert O. Anderson Building. Los Angeles County Museum of Art, Los Angeles, CA, 1986, pp. 89 and 95.

Rose, Barbara. American Painting: The Twentieth Century 2ed. Skira - World Pulishing Company, 1986, p. ?

Rosenthal, Mark and Ann Percy. Philadelphia Collects: Art Since 1940. Exh. cat. Philadelphia Museum of Art, Philadelphia, CA, 1986, pp. 16 and 127.

Ruhrberg, Karl.  Kunst im 20.  Jahrhundert: Das Museum Ludwig-Köln: Auswahlkatalog Stuttgart, Germany, 1986, pp. 268, 269 and 315.

Sculpture and Works in Relief. Exh. cat., John Berggruen Gallery, San Francisco, CA, 1986, p. 134.

Sims, Patterson, Painting and Sculpture Acquisitions: 1973-1986from the Whitney Museum of American Art Collection.  Exh. cat. Whitney Museum of American Art, New York, NY, 1986, p. 129.

Speck, Von Reiner. Peter Ludwig Sammler. Frankfurt-am-Main, Germany, 1986, pp. 248 and 333.

Stebbins, Jr., Theodore E. and Judith Hoos Fox. Boston Collects: Contemporary Painting & Sculpture. Exh. cat. Museum of Fine Arts, Boston, 1986, pp. 52, 53 and 138.

The Gihon Foundation Presents Works by Women. Brochure, the Gihon Foundation, Dallas, TX, 1986 n..p.

Walker, Barry. Public and Private: American Prints Today/ The 24th National Print Exhibition. Exh. cat., The Brooklyn Museum, Brooklyn, NY, 1986, p. 70.

Watson-Jones, Virginia. Contemporary American Women Sculptors. Phoenix, AZ, 1986, p. 237.


Armstrong, Elizabeth, Pat Gilmour and Kenneth Tyler. Tyler Graphics: Catalogue Raisonné, 1974 – 1985. Abbeville Press, New York, NY in association with the Walker Art Center, Minneapolis, MN, 1987, pp. 140 – 147.

Auping, Michael, Cheryl Brutvan, Susan Krane and Helen Raye. Structure to Resemblance: Work by Eight American Sculptors.  Exh. cat., Albright-Knox Art Gallery, Buffalo, NY, 1987, pp. 30-37, 60 and 71 – 73.

Brutvan, Cheryl A. Master works on Paper from the Albright-Knox Art Gallery. The Buffalo Fine Arts Academy, Buffalo, NY, 1987, pp. 154 – 55.

Carmean, Jr., E. A., Linda L. Cathcart, Robert Hughes and Michael Shapiro. The Sculpture of Nancy Graves: A Catalogue Raisonné. Hudson Hills Press, New York, NY in association with the Fort Worth Art Museum, Fort Worth, TX, 1987.

Cummings, Paul. Dictionary of Contemporary American Artists 5th ed., St. Martin's Press, New York, NY, 1987, p. ?

Feldman, Edmund Burke.  Varieties of Visual Experience, 3rd ed. Harry N. Abrams, Inc., New York, NY, 1987, p. 340.

Field, Richard and Ruth Fine. A Graphic Muse: Prints by Contemporary American Women.  Exh. cat., Mt. Holyoke College Art Museum, South Hadley, MA in association with Hudson Hills Press, New York, NY, 1987, pp. 8, 22, 24, 27, 29, 30, 35, 39, 92-93, 95 and 139.

Friedman, Martin et al. Tyler Graphics: The Extended Image. Abbeville Press, New York, NY in association with Walker Art Center, Minneapolis, MN, 1987, pp. 10, 11, 17, 82-87 and 245.

Gatto, Joseph A. Drawing Media and Techniques. Worcester, MA, 1987, p. 107.

Heller, Nancy. Women Artists: An Illustrated History. Abbeville Press, New York, NY, 1987, p. ?

Krane, Susan with Robert Evren and Helen Raye.  Albright-Knox Art Gallery, The Painting and Sculpture Collection: Acquisitions since 1972. The Buffalo Fine Arts Academy, Buffalo, NY, 1987, pp. 149-150.

Lyons, Lisa and Robert Storr. Chuck Close. New York., NY, 1987, pp. 14, 26, 45 and 46.

National Museum of Women coll. Cat.? (1987) ?

Noll, Anna C., Emily Kass and Sharon Blume. Collection Selections: Fort Wayne Museum of Art. Fort Wayne Museum of Art, IN, 1987, p. 73.

Olsen, Sandra Haller.  A Survey of American Printmaking from the Collection of the Memorial Art Gallery of the University of Rochester. Rochester, NY, 1987, p. 56.

Richard, Stephen and Anne Livet, eds. Art Against AIDs. American Foundation for AIDS Research, 1987, pp. 5 and 142.

Tolnick, Judith E. Alternative Supports: Contemporary Sculpture on the Wall. Exh. cat., David Winton Bell Gallery, List Art Center, Brown University, Providence, RI, 1987, pp. 10, 16. and 24

van de Marck, Jan and MaryAnn Wilkinson. Reconnecting: Recent Work by Jennifer Bartlett, Mel Bochner, Nancy Graves, Patrick Ireland and Lucio Pozzi. Exh. cat. Detroit Institute of Arts, Detroit, MI, 1987, pp. 7 and 18 – 21.

Vogel, Susan et al. Perspectives: Angles on African Art.  Exh. cat., The Center for African Art, New York, NY, 1987, pp. 97 – 99.

Ward, Roger and Eliot W. Rowlands. A Bountiful Decade, Selected Acquisitions 1977 – 1987: The Nelson-Atkins Museum of Art.  Exh. cat., The Nelson-Atkins Museum of Art, Kansas City, MO, 1987, pp. 192 – 193.

Weiss, Evelyn, Filiberto Menna and Mario Penelope. Arte Americana Anni Sessanta dal Ludwig Museum di Colonia. Exh. cat. Galleria d’Arte Moderna di Ca’ Pesaro, Venice, Italy, 1987, pp. 24, 33 and 71.


A Look Book: A Guide for Enjoying Art with the Preschool Child. The Saint Louis Art Museum, St. Louis, MO, 1988, n.p.

Beckett, Wendy. Contemporary Women Artists 1988, p.?

Bowman, Russell et al. 1988: The World of Art Today. Exh. cat. Milwaukee Art Museum, Milwaukee, WI, 1988, pp. 44, 71 and 123.

Cuperman, Pedro. American Baroque. Exh. cat. Holly Solomon Gallery, New York, NY, 1988, pp. 38 and 105.

Filmmakers’ Cooperative: Master Index for Catalogue No. 7. New American Cinema Group, Inc., New York, NY, 1988, p. 30.

Hazel, Ruth Jacqueline. The Making is the Meaning: The Sculpture of Nancy Graves. Master’s Thesis, The Meadows School of the Arts, Southern Methodist University, Dallas, TX, 1988.

Master Drawings: 1877 – 1987. Exh. cat., Janie C. Lee Master Drawings, New York, 1988, no. 29.

Matsumoto, Michiko. Portraits; Women Artists. Exh. cat., Soho Photo Gallery, New York, NY, 1988, n.p.

Nancy Graves: Sculptures and Paintings at Heland Wetterling Gallery.  Exh. cat., Heland Wetterling Gallery, Stockholm, Sweden, 1988.

1988 New York State Governor’s Awards. The Metropolitan Museum of Art, New York, NY, June 23, 1988, cover and pp. 5 and 7.

O’Connor, Patrick.  Nancy Graves: Prints 1972-1988. Exh. cat., Associated American Artists, New York, NY, 1988.

Phillips, Lisa. Vital Signs: Organic Abstraction from the Permanent Collection. Exh. cat., Whitney Museum of American Art, 1988, pp. 11 and 67.

Sloggett, Tony, ed. Art Bibliographies. Oxford, England, 1988, no. 2433.

Tuchman, Phyllis. BIGlittle Sculpture. Exh. cat., Williams College Museum of Art, Williamstown, MA, 1988, n.p.

Van Wagner, Judy Collischan. “Nancy Graves.” Long Island University: Public Art Program. Exh. guide, L.I.U., C.W. Post Campus, Brookville, NY, n.d. 1988, pp. 26 and 27.

Wilmerding, John. American Masterpieces from the National Gallery of Art revised ed. Hudson Hills Press Washington, D.C., 1988, pp. 41, 44 and 46.

Yau, John. “The Nature of Imagination: The Art of Nancy Graves,” Nancy Graves. Exh. cat.  Gallery Mukai, Tokyo, Japan, 1988, n.p.


Armstrong, Elizabeth and Sheila McGuire. First Impressions: Early Prints by Forty-Six Contemporary Artists.  Exh. cat. The Walker Art Center, Minneapolis, MN, 1989, pp. 80, 81 and 140.

Armstrong, Tom and Susan C. Larsen. Art in Place: Fifteen years of Acquisition. Whitney Museum of American Art, New York, NY, 1989, pp. 197, 201.

Barrie, Dennis et al. Encore: Celebrating Fifty Years. Exh. cat., The Contemporary Arts Center, Cincinnati, OH, 1989, pp. 50 and 61.

Gilmour, Pat. Ken Tyler: 25 Glorious Years. Exh. cat., Heland Wetterling Gallery, Stockholm, Sweden, 1989, pp. 12, 13, 19 and 24.

Important Works on Paper. Exh. cat., Meredith Long & Company, Houston, TX, 1989, p. 13.

Kelder, Diane. “2RC Editions: Tradition and Innovation in Contemporary Printmaking.” Big Prints from Rome. Exh. cat., Museum of Modern Art, Toyama, Japan, 1989, pp. 22, 78, 79 and 152.

Lehrman, Roberta R. Art in Art. Exh. cat. Associated American Artists, New York, NY, 1989, n.p., no. 30.

Naylor, Colin, ed. Contemporary Artists. 3rd edition St. James Press, 1989, p. ?

Rosen, Randy et al. Making Their Mark: Women Artists Move into the Mainstream Abbeville Press, New York, NY, 1989, p?.

Spalding, Phinizy. “With ‘Hubris and Humility:’ A Brief Look at Georgia’s History with an eye toward Collecting.” Georgia Collects. Exh. cat., High Museum of Art, Atlanta, GA, 1989, pp. 192 illus. and 213.

Stein, Judith E. and on video Ann-Sargent Wooster. Making Their Mark: Women Artists Move into the Mainstream, 1970-85. Exh. cat. Cincinnati Art Museum, Cincinnati, OH and Rizzoli International Publishing, 1989, pp. 61, 62 and 68.

Thomas, Sissy. Selected Works. The Greenberg Gallery, St. Louis, MO, 1989, pp. 4, 11 and 46.

Van Wagner, Judy Collischan, Carol Becker Davis and Mary Ann Wadden. Public Art Program 1985 – 1988: Long Island University – C.W. Post Campus.  Exh. cat. Hillwood Art Gallery, Long Island University, 1989, Brookville, NY, pp. 10, 11 and 31.

Willers, Karl Emil. The Experience of Landscape: Three Decades of Sculpture. Exh. brochure,  Whitney Museum of American Art Downtown at Federal Reserve Plaza, New York, NY, 1989, n.p..

Young, Charles. The Development of Sculptural Form. Exh. cat., Associated American Artists, New York, NY, 1989, n.p., nos. 35 – 45.


Atkins, Robert. ArtSpeak: A Guide to Contemporary Ideas, Movements, and Buzzwords, 1945 to the Present. Abbeville Press, New York, 1990, p. 110.

Ceremonial Program. American Academy and Institute of Arts and Letters, New York, NY, May 16, 1990), n. p. (Introduction of New Institute Members by the Secretary of the Institute).

 Cooper, Doug. Oh, My! Modula. Norton, New York, NY and London, England, 1990, p. ?

Cornell Collects; American Art from the Collections of Alumni. Cornell University, Ithaca, NY, 1990, p. ?

Cuperman, Pedro. “Nancy Graves: Icons of Language.” Nancy Graves. Exh. cat., Wetterling Gallery, Gothenburg, Sweden, 1990, n.p.

Diversity of Line; A Selection from the Permanent Collection.  Exh. gallery guide, Des Moines Art Center, Des Moines, IA, 1990, n.p.

Exhibition of Work by Newly Elected Members and Recipients of Awards. Exh. cat. American Academy and Institute of Arts and Letters, New York, NY, 1990, cat. nos. 33 – 36.

Four Centuries of Women’s Art: The National Museum of Women in the Arts. Exh. cat. The Bunkamura Museum of Art, Tokyo, Japan, 1990, pp. 127, 189 and 190.

Gear, Josephine. Painted Forms: Recent Metal Sculpture. Exh. brochure Whitney Museum of American Art at Phillip Morris, New York, NY, 1990, n.p.

Goddard, Donald and Robert Rosenblum. American Painting. Hugh Lauter Levin Associate, Southport, CT, 1990, p. ?

Heland Wetterling Gallery Shows Knoedler Gallery Artists.  Exh. cat. Heland Wetterling Gallery, Stockholm, Sweden, 1990, n.p.

Luebbers, Leslie.  Mind and Matter: New American Abstraction.  Exh. cat. World Print Council, San Francisco, CA, 1990, pp. 15, 17, 32, 33 and 68.

1990 Seoul International Art Festival: Works on Mulberry Paper.  Exh. cat. The National Museum of Contemporary Art, Seoul, Korea, 1990, p. ?.

Perkins, Larry David. Color in Art: American Expressions from the Mid-Twentieth Century to the Present. Exh. cat., Samuel P. Harn Museum of Art, University of Florida, Gainsville, FL, 1990, n. p.

Rubinstein, Charlotte Steifer. American Women Sculptors: A History of Women Working in Three Dimensions. Boston, MA, 1990, pp. 453 – 456.

Simon, Joan. “United States of America.” The 8th International Small Sculpture Triennial of Budapest.  Exh. cat., Palace of Exhibitions, Budapest, Hungary, 1990, pp. 30 – 35.

Slatkin, Wendy. Women Artists in History 2nd ed. Englewood Cliffs, NJ, 1990, p. 96, fig. 85.

Strick, Jeremy. National Gallery of Art: Twentieth-Century Art Address Book. National Gallery of Art, Washington, D.C., 1990, n.p.


A Selection of Paintings and Sculpture: Nancy Graves, Pat Stier, Sam Francis, Terrance la Noue. Exh. announcement, Ochi Gallery, Sun Valley, ID, 1991.

Bosio, Gérard, Francis Delille and Federico Mayor. Mémoire de la Liberté: Déclaration Universelle des droits de l’homme. UNESCO, Paris, France, 1991, pp. 63 and ‘Les artistes.'

Bourdon, David. “Nancy Graves: The Virtues of Metaphor.” Nancy Graves: Paradigm and Paradox.  Exh. cat., Locks Gallery, Philadelphia, PA, 1991, n.p.

Corlett, Mary Lee. “Nancy Graves: Canoptic Legerdemain, 1990. ”Art for the Nation, Gifts in Honor of the 50th Anniversary of the National Gallery of Art.  Exh. cat., 1991, p. 514.

Cromwell-Lacy, Sherry. Selections from the Mary & Crosby Kemper Collection of Kansas City Art Institute: The Inaugural Exhibition. Exh. cat. Kansas City art Institute, Kansas City, MO, 1991, n.p., pl. 25.

del Re, Marisa. IIIème Biennale de Sculpture: Montecarlo, 1991. Exh. cat., Montecarlo, 1991, pp. 52 and 53.

Energy Fields Transfixed: Recent Works by Nancy Graves. Exh. brochure, Meredith Long & Company, Houston, TX, 1991.

Fine, Ruth E. and Mary Lee Corlett. Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida. Exh. cat. National Gallery of Art, Washington D.C., 1991, pp. 40, 42, 48, 49, 153, 154, 278 – 283 and 307.

Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida. Exh. brochure National Gallery of Art, Washington, D.C., 1991, n.p.

Hansen, Trudy Victoria and Eleanor Heartney. Presswork: The Art of Women Printmakers: Lang Communications Corporate Collection. Exh. cat., The National Museum of Women in the Arts, Washington, D.C., 1991, pl. 63 and p. 113.

Hoffman, Katherine. Explorations: The Visual Arts since 1945. Basic Books, 1991, p. ?

Janson, H.W, revised and expanded by Anthony F. Janson. History of Art Fourth ed. New York, NY, 1991, pp. 772, 773 and 775.

Littman, Robert R. El Sueño de Egipto: La Influencia del Arte Egipcio en el Arte Contemporáneo. Exh. cat. Centro Cultural/ Arte Contemporaneo, Mexico, 1991, pp. 112 – 114.

Prints, Posters and Catalogues. Institute of Contemporary Art, University of Pennsylvania, PA, 1991, p. 5.

Saff, Donald J. Collaborations in Contemporary Art: Graphicstudio U.S.F. Exh. cat. University of South Florida Art Museum, Tampa, FL, 1991, n.p..

Stroud, Marion Boulton. An Industrious Art: Innovation in Pattern and Print at The Fabric Workshop. The Fabric Workshop, Philadelphia, PA and W.W. Norton & Company, New York and London, 1991, pp. 121, 201 and 218.

Tannenbaum, Judith. Interactions: Collaborations in the Visual and Performing Arts.  Exh. cat. Institute of Contemporary Art, Philadelphia, PA, 1991, pp. 5 and 15.

Wheeler, Daniel. Art Since Mid-Century: 1945 to the Present. Englewood Cliffs, NJ, 1991, pp. 294 – 303 and 321.


Books and Portfolios: 1957 – 1992. Marlborough Graphics, New York, NY, 1992, p. 6.

Franc, Helen M. An Invitation to See: 150 Works from the Museum of Modern Art. The Museum of Modern Art, New York, NY, 1992, p. 103.

Friend, David and the editors of LIFE. More Reflections on the Meaning of Life. Boston, Toronto, London, 1992, pp. 165 and 217.

Gercke, Irmgard et al.  Nancy Graves: ihre Kemele in Aachen… Ludwig-Forum fur Internationale Kunst, Aachen, 1992.

Gilmour, Pat , Taro Armano and Mitsuo Yoshikawa, Innovation in Collaborative Printmaking: Kenneth Tyler 1963 – 1992. Exh. cat. Yokohama Museum of Art, Yokohama, Japan, 1992, pp. 56 – 59 and 196.

Graves, Nancy, Alchemy of Time.  Exh. brochure Irving Galleries, Palm Beach, FL, 1992, n.p.

Kelder, Diane. America/Italy: A Visual Dialogue that Continues. Exh. brochure, Gallery 313, The College of Staten Island, City University of New York, Staten Island, NY, 1992, n.p.

Kimmel, Roberta with Edith Newhall. In Artists’ Homes: The Living Space of Contemporary Artists. New York, NY, 1992, pp. 46 – 51 and 179.

Matthews, Gene et al. Visiting Artist Program: 20th Anniversary Show. Exh. cat. CU Art Galleries, University of Colorado at Boulder, 1992, pp. 19 and 20.

Lippard, Lucy. Eva Hesse. Da Capo Press. New York, NY, 1992, pp. 172, 178, 203, 204, 217 fn. 44.

Pekarik, Andrew. Sculpture Behind the Scenes. New York, NY, 1992, cover and pp. 24 – 25.

Pilchick Glass School: Summer 1992. Brochure, Seattle, WA, 1992, Summer Artists-in-Residence, p. 6

Scarpetta, Guy. La Festival d’Automne de Michel Guy. Paris, France, 1992, pp. 235 – 240.

Schwartz, Constance.  An Ode to Gardens and Flowers. Exh. cat.,  Nassau Museum of Art, Rosyln Harbor, NY, 1992, pp. 29 and 77.

The Louis Comfort Tiffany Foundation: 1991 Awards in Painting, Sculpture, Printmaking, Photography and Craft Media. New York, NY, 1992, p. 60.

Yale University: Two Hundred Ninety-First Commencement: May 25, 1992. New Haven, Connecticut, 1992, n.p.


All Roads Lead to Rome. Exh. cat. Palazzo delle Esposione, Rome, Italy, 1993.

“Art Programs: Modern Prints and Drawings.” National Gallery of Art 1992 Annual Report. National Gallery of Art, Washington, DC, 1993, pp. 33 and 34

Bony, Anne. Les Années 70. Paris, France, 1993, p. ?.

Greenberg, Jan and Sandra Jordon. The Sculptor’s Eye: Looking at Contemporary American Art. New York, NY, 1993, pp. 16-17, 82-83, 110 and 111.

Grounds for Sculpture.  Exh. cat. Grounds for Sculpture, Hamilton, NJ, 1993, n.p.

Han, H.N. and Eleanor Heartney.  Neither East Nor West: Seven Contemporary New York Artists.  Exh. cat. Taipei Gallery, New York, NY, 1993, pp. 9,  13 and 25-29.

“Nancy Graves: Excavations in Print, ”The American Federation of Arts Exhibitions Programs 1993-94 (New York, NY, 1993), p. 19.

Nash, Laura, Breeching Containment. Exh. brochure The Gallery, Three Zero, New York, NY, 1993, n. p.

Newman, Sasha, Lesley K. Baier, eds. and Nicholas Fox Weber, Yale Collects Yale: 1950-1993. Exh. cat. Yale University Art Gallery, New Haven, CT, 1993, pp. 33, 40, 41, 76 and 89.

Platt, Susan. “Nancy Graves,” WCA (Women’s Caucus for Art) Honor Awards for Outstanding Achievement in the Visual Arts: 14th Annual Exhibition.  Exh. cat. Bellevue Art Museum, Bellevue, WA, 1993, pp. 14 – 17.

Plotkin, Linda, Beyond Description: Images of Nature. Exh. brochure G. W. Einstein Company, Inc., New York, NY, 1993, no. 9.

Reflet-Restitution: La sculpture pop et hyperréaliste. Exh. brochure, Abbaye Saint-André, Centre d’Art Contemporain, Meymac, Corrèze, France, n.p.

Russell, Stella Pandell. Art in the World  4th ed. Harcourt Brace Jovanovich Publishers, 1993, pp. 465, 478 and 479.

Rybczynski, Witold. A Place for Art: The Architecture of the National Gallery of Canada/Un Lieu pour l’art: L’Architecture du Musée des beaux-arts du Canada. National Gallery of Canada, Ottawa, 1993, p. 93.

Ward, Roger and Patricia J. Fidler. The Nelson-Atkins Museum of Art: A Handbook of the Collection. Hudson Hills Press, New York in association with the Nelson-Atkins Museum of Art, Kansas City, MO, 1993, p. 260.

Yager, David, E. A. Carmean, Jr., and Robert C. Morgan. Nancy Graves: Recent Works. Exh. cat., Fine Arts Gallery, University of Maryland, Baltimore County, Catonsville, MD, 1993.


Art Resources in Teaching, Centennial Birthday Journal: 1894-1994 (A.R.T, Chicago, IL, 1994), p. 40.

Bowker, R.R. Who’s Who in American Art 1993 – 1994. 1994, p. ?

Butler, Cornelia H. Inspired by Nature. Exh. cat., Neuberger Museum of Art, State University of New York, Purchase, New York, 1994, pp. 2, 10 and 14.

Cateforis, David, Putting Things Together: Recent Sculpture from the Anderson Collection. Exh. brochure The Art Museum of Santa Cruz, Santa Cruz, CA, 1994, n.p.

Craven, Wayne. American Art: History and Culture. Brown & Benchmark, University o Michigan, 1994, p. 613. 

 Mondale, Joan and Siri Engberg, “Reception Hall,” United States Ambassador’s Residence, Tokyo: Guide to the Art Collection (The Friends of Art and Preservation in Embassies, 1994, n.p.

 Myers, Donald. Sculpture, An Illustrated Catalogue, National Gallery of Art (National Gallery of Art, Washington, D.C., 1994), p. 105.

Sculpture. Exh. cat. National Gallery of Art, Washington, D.C., 1994??

Shapiro, Daniel and Jack Flam. Western Artists/African Art. Exh. cat. The Museum for African Art, New York, 1994, pp. 38 and 39.

Storr, Robert. Mapping. Exh. cat., Museum of Modern Art, New York, NY, 1994, pp. 19, 40 and 56.

The Century Association Yearbook 1994 New York, NY, 1994, p. 156.


Fichner-Rathus, Lois. Understanding Art 4th ed. Englewood Cliffs, 1995, p. 462.

Hamilton, Susan, Some Very Important American Artist. Exh. cat. American Embassy, Jakarta and Wetterling Teo Gallery, Singapore, 1995, n.p.

Heller, Jules and Nancy G. North American Women Artists of the 20th Century: Biographical Dictionary. 1995, p. 223.

 Hobbs, Jack and Richard Salome. The Visual Experience. Davis Publications, 1995.

Johnson, Diana L. and George Hofmann. Color in Space: Pictorialism in Contemporary Sculpture. Exh. cat., David Winton Bell Gallery, Brown University, Providence, RI, 1995. pp. 22 and 23.

 Kahn, Robin, ed. Time Capsule: A Concise Encyclopedia by Women Artists. New York, NY, 1995, p. 60.

Minamishima, Hiroshi. “Ken Tyler and the Great Artists of Modern Art.” Center for Contemporary Graphic Art and Tyler Graphics Archive Collection. Center for Contemporary Graphic Art and Tyler Graphic Archive Collection, Fukushima, Japan, 1995, pp. 53, 54 and 176.

Murray, Elizabeth. Artist’s Choice: Elizabeth Murray — Modern Women. Exh. brochure, The Museum of Modern Art, New York, NY, 1995, n.p..

Rubinstein, Charlotte Streifer. “Part II: Beyond Gender.” In Three Dimensions: Women Sculptors of the ‘90s.  Exh. cat., Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY, 1995, pp. 55, 56 and 70.

Simon, Joan and Nancy Princenthal. Timepieces: A Collaboration of Nancy Graves with Saff Tech Arts. Exh. cat., Brenau University Galleries, Gainsville, GA, 1995.

Tyler, Kenneth, Kaoru Yanase and Hiroshi. “Interview with Kenneth Tyler.” Graphic Vision: Kenneth Tyler Retrospective Exhibition: Thirty Years if Contemporary American Prints. Exh. cat., Center for Contemporary Graphic Art and Tyler Graphics Archive, Fukushima, Japan, 1995, pp. 16, 28 and 30.

Wilkin, Karen. Spring Summer 1995 Exhibition: Grounds for Sculpture. Exh. cat., Grounds for Sculpture, Hamilton, NJ, 1995, n.p..

Zelanski, Paul and Mary Pat Fisher. Shaping Space. Harcourt Brace College Publishers, 1995.


Bouhours, Jean-Michel. L’art du mouvement: Collection cinématographique du Musée national d’art moderne, 1919 – 1996. Centre Georges Pompidou, Paris, France, 1996), pp.187 and 188.

Clinton, Hillary Rodham and Marcia Tucker. Twentieth Century American Sculpture at The White House: Exhibition IV. Exh. cat., The White House, Washington, D.C., 1996, n.p.

Donovan, Molly. “Nancy Graves,” in Mark Rosenthal, The Robert and Jane Meyerhoff Collection: 1945-1995. Ex. cat., National Gallery of Art, Washington, D.C., pp. 55 illus., 56 and 240.

Drucker, Johanna and Coco Fusco. Identitat Multiple: Obres del Whitney Museum of American Art. Exh. cat., Museu d’Art Contemporani de Barcelona, Spain, 1996, pp. 44 and 84.

“Fossil Abstractions.” Dinofest International: Official Program & Guide. Arizona State University, Tempe, AZ, 1996, n.p.

Frankel, David, ed. Sniper’s Nest: Art That Has Lived with Lucy R. Lippard. Exh. cat., Center for Curatorial Studies, Bard College, Annandale on Hudson, NY, 1996, pp. 17 illus. and 89.

Freedman, Ann. Nancy Graves: New Sculpture/Temptations of the Imagination  — The Last Series.  Exh. cat. Knoedler & Company, New York, NY, 1996, n. p.

Larson, Kay. “Elegies of Narnia: For Nancy Graves, 1940 – 1995.” Nancy Graves: In Memoriam. Exh. cat., Locks Gallery, Philadelphia, PA, 1996, n.p.

Lawson, Karol Ann Peard. Woman’s Work: A Century of Achievement in American Art. Exh. cat., The Columbus Museum, Columbus, GA, 1996, p. 10.

Le Thorel, Pascale. Petit Dictionnaire des artistes contemporains. Paris, Larousse, 1996.

Ludwig, Irene and Peter et al. Die bekannten deutschen Kunstsammler, Peter und Irene Ludwig, schenken China Kunstwerke aus aller Welt. Ludwig Museum für Internationale Kunst, Chinesisches Kunstmuseum, Beijing, China, 1996, pp. 92 – 93.

Oldknow, Tina. Pilchuck: A Glass School. Pilchuck Glass School in association with the University of Washington Press, Seattle, WA, 1996, pp. 252 and 278

Padon, Thomas. Nancy Graves: Excavations in Print, A Catalogue Raisonné. Harry N. Abrams, Inc., Publishers in association with the American Federation of Arts, New York, NY, 1996.

Ruzicka, Joseph, Ink on Paper: The Quad/Collection 1971-1996.  Exh. cat. Milwaukee Art Museum, Milwaukee, WI, 1996, pp. 62 and 153.

Ruzicka, Joseph. Landfall Press: Twenty-five Years of Printmaking. Exh. cat.  Milwaukee Art Museum, 1996, pp. 8, 15, 36, 137, 195 and 209.

Sandler, Irving. Art of the Post Modern Era: From the Late 1960s to the Early 1990s . Boulder, CO, 1996 and 1998, pp. 77 – 79, 110, 142 and 159.

Scheps, Marc and Evelyn Weiss. 20th Century Art/ Kunst des 20. JahrhundertsL’art du 2oe siècle, Museum Ludwig Koln. Cologne, Germany, 1996, pp. 19, 248 and 249.

Some New Prints…Some Recent Acquisitions. Brochure, Flanders Graphics, Minneapolis, MN., 1996, n.p.

Stiles, Kristine and Peter Selz, eds. Theories and Documents of Contemporary Art. Berkeley, CA and London, England, 1996, pp. 578-579 and 597 – 600.

Stoops, Susan L. et al.  More than Minimal: Feminism and Abstraction in the '70s.  Exh. cat. Rose Art Museum, Brandeis University, Waltham, MA, 1996, pp. 6, 9, 19, 21, 33-35,  50 – 53, 92 and 101.

Tyler, Kenneth, Sanjot Kaur Sekan and Elizabeth McDonald. Beyond Print: Masterworks from the Ken Tyler Collection. Exh. cat. Lasalle-SIA College of the Arts, Dr. Earl Lu Gallery, Singapore, 1996, n.p.

Wale, George, Linda Cathcart, Michael Edward Shapiro and Robert Hughes. Nancy Graves, American (1940-1995): Camels VI, VII, VIII. Exh. brochure, Burlington Art Center, Burlington, Ontario, Canada, 1996, n.p.


Anderson, Mark. Cast Contemporary Sculpture: The Walla Walla Foundry.  Exh. cat., Sheehan Gallery, Whitman College, Walla Walla, WA, 1997, n.p.

Archer, Michael. Art Since 1960 . London, England, 1997 and 2002, p. 121.

Contemporary Masterworks: Artists and Collectors Celebrate Knoedler & Company’s150th Anniversary. Exh. cat. Knoedler & Company, New York, 1997, n.p.

Close, Chuck. The Portraits Speak: Chuck Close in Conversation with 27 of his Subjects. New York, NY, 1997, pp. i, 1 – 37, 40 and 707.

Hughes, Robert. American Visions: The Epic History of Art in America . New York, NY, 1997, pp. 579 – 581.

James-Gadzinski, Susan and Mary Mullen Cunningham. American Sculpture in the Museum of American Art of the Pennsylvania Academy of Fine Arts. Museum of American Art of the Pennsylvania Academy of Fine Arts, Philadelphia in association with the University of Washington Press, Seattle and London, 1997, p. 329.

Remer, Abby. Pioneering Spirits: The Lives and Times of Remarkable Women Artists in Western History. Worcester, MA, 1997, p. 129.

Rosenbaum, Allen. In Celebration: Works of Art from the Collections of Princeton Alumni and Friends of the Art Museum. Exh. cat., The Art Museum, Princeton University, Princeton, NJ, 1997, pp. 260 and 341.

Rosenberg, Gary D. “Finding Fossils in Fossil Abstractions at Dinofest.” Dinofest International Proceedings. Arizona State University, Tempe, AZ, 1997, pp. 559 – 562 and 568.

Sayre, Henry M. A World of Art, 2nd ed. Upper Saddle River, NJ, 1997, p. 142.

Tuchman, Phyllis. Drawing Transfigured: Works on Paper from the Ludwig Collections 1960s- – 70s.  Exh. brochure, Robert Hull Fleming Museum, Burlington, VT, 1997, pp. 3 and opp. 3.

Welcome to the New National Airport: What a Departure. Washington, D.C, 1997, n.p.

Wilkins, David G., Bernard Schultz and Katheryn M. Linduff. Art Past/Art Present 3rd ed. New York, NY, 1997, pp. 590 and 591.


Arnason, H. H. and Marla F. Prather. History of Modern Art: Painting Sculpture Architecture Photographs. Harry N. Abrams, New York, NY 1998, p. 730, plate 454 Illus.

State of the Art. Barrett Kendall, 1998.?

Carmean Jr., E.A. “Common Denominators. Different Solutions.” Nancy Graves: 20 Years of Prints and Sculpture.  Exh. cat.,  The Bermuda National Gallery, Hamilton, Bermuda, 1998.

Fine Ruth E. and Molly Donovan. Women Artists in the Vogel Collection.  Exh. cat., Brenau University Galleries, Gainesville, GA, 1998, pp. 9, 13-15, 30, 53 and 58.

Gilbert, Rita. Living with Art 5th edition. McGraw Hill, New York, NY, 1998, pp. 94, 277 and 278 .

Lambeth, James and Miles James. Cuisine of the Creative. Miami Dog Press, Johnson, AR, 1998, pp. 46 – 49.

Morgan, Robert C. “American Sculpture and the Search for a Referent” and “Nancy Graves: Translucency.” The End of the Art World. New York, NY, 1998, pp.  91, 95 – 97 and 139 – 148.

Ocvirk, Otto G. et al. Art Fundamentals: Theory and Practice 8th ed. McGraw-Hill, 1998, pp. 50, 51 and 239.

Omaggio a Nancy Graves. Exh. brochure, 2RC Edizioni d’Arte, Rome, Italy, 1998, n.p.

Ragans, Rosalind et al. “Harmony,” Art Connections: Level 4. Columbus, OH, 1998, pp. 178 and 179.                

Ross, David A., Adam D. Weinberg and Beth Venn. American Art of the Twentieth Century: Treasures of the Whitney Museum of American Art. Whitney Museum of American Art and Abbeville Press, New York, NY, 1998, p. 250.

Storr, Robert, Kirk Varnedoe and Deborah Wye, Chuck Close.  Exh. cat., The Museum of Modern Art, New York, 1998, pp. 29 and 108.

Teicher, Hendel et al. Trisha Brown: Danse, Précis de Liberté. Exh. cat., Centre de la Vieille Charité, Marseille, France, 1998, cover and p. 58.

Weber, Joanna. “Of Colored Bones and Metal Rods: Nancy Graves’s Calegli." Yale University Art Gallery Bulletin 1997 – 98. Yale University Art Gallery, New Haven, CT,1998, pp. 88 – 93.

Westerson, Kris. Nancy Graves (1940 – 1995): Camel Investigations. Exh. brochure, University of North Texas Art Gallery, Denton, TX, 1998, n.p.


Adams, Laurie Schneider.  Art Across Time, vol. II.  McGraw-Hill College, 1999, p. 939.

Barlow, Margaret. Women Artists. Hugh Lauter Levin Associates, 1999, pp. 294, 295 and 297.

Collischan, Judy. Contemporary Classicism. Exh. cat., Neuberger Museum of Art, State University of New York, Purchase, NY, 1999, pp. 16, 17, 28, 31 and 32.

Fairbrother, Trevor and Bagley Wright. The Virginia and Bagley Wright Collection. Exh. cat., Seattle Art Museum in association with the University of Washington Press, Seattle, WA and London, England, 1999, pp. 118, 119 and 180.

Goldman, Judith. Kenneth Tyler: Thirty Years of Printmaking. Exh. brochure, Art Center College of Design, Alyce de Roulet Willimason Gallery, Pasadena, CA, 1999, n.p..

Kelder, Diane. Nancy Graves Prints: On Loan from the Nancy Graves Foundation. Exh. brochure, Gallery of the College of Staten Island, CUNY Staten Island, NY, 1999, n.p.

Mittler, Gene and Rosalind Ragans. Exploring Art. Glencoe McGraw-Hill, 1999, p. 44.

Phillips, Lisa. The American Century: Art & Culture 1950-2000.  Exh. cat., Whitney Museum of American Art, New York, NY, 1999, pp. 262 and 263.

Preble, Duane, Sara Preble and Patrick Frank. Artforms: An Introduction to the Visual Arts 6th ed. Addison Wesley Educational Publishers, 1999, p. 32.

Ratcliff, Carter. Stamford Sculpture Walk ’99. Exh. cat., Stamford Town Center and Downtown, Stamford, CT, 1999, n.p.

Stavitsky, Gail. “Waxing Poetic: Encaustic Art in America during the Twentieth Century.” Waxing Poetic: Encaustic Art in America. Exh. cat., The Montclair Art Museum, Montclair N J, 1999, pp. 27 and 68.

Steiner, Raymond. The Art Students League of New York: A History. Saugerties, NY, 1999, p. 182.


Collishan, J. Welded Sculpture of the Twentieth Century. Exh. cat., Neuberger Museum of Art, State University of New York, Purchase, New York, 2000, pp. 108, 109, 128 and 129.

Kemper, Jr, R. Crosby. Banking on Art: Fifty Years of Collecting. Kansas City, MO, 2000, cover, and pp. 50 and 51.

Landay, Janet. The Museum of Fine Arts Houston Visitor Guide. The Museum of Fine Arts, Houston, TX, 2000, pp. 352 – 353.

Ojeda, Oscar Riera, ed.  National Airport Terminal: Cesar Pelli. Gloucester, MA, 2000, n.p.

Sayre, Henry M. A World of Art, 3rd ed. Upper Saddle River, NJ, 2000, p. 158.

Scott, Sue. Collector’s Choice II: Contemporary Art from Central Florida Collections. Exh. cat. Orlando Museum of Art, Orlando, FL, 2000, pp. 3, 15 and 24.

Yau, John.  Nancy Graves, Points of Departure: Animal, Vegetable, Mineral.  Exh. cat. Knoedler & Company, New York, 2000.


Adams, Laurie Schneider. A History of Western Art, 3rd ed. McGraw Hill, 2001, p. 547.

Benson, Richard and Richard Lytle.  Yale University School of Art: Dean’s Letter Summer 2001. New Haven, CT, 2001, inside front cover and p. 6.

Brodie, Judith and Andrew Robison. A Century of Drawing: Works on Paper from Degas to LeWitt.  Exh. cat., National Gallery of Art, Washington D.C., 2001, pp. 264 and 265.

De Medeiros, Melissa. Models of Observation: Flowers, Fishes, Birds, Butterflies. Exh. brochure Knoedler & Company, New York, NY, 2001, n.p.  

De Salvo, Donna. “New York: 1969-1974.” Century City: Art and Culture in the Modern Metropolis. Exh. cat. Tate Modern, London, England, 2001, pp. 126, 127 and 284.

Fichner-Rathus, Lois. Understanding Art, 6th ed. Harcourt College Publishers, 2001, p. 518.

Kramer, Linda Konheim. “Nancy Graves (1939 – 1995)." Nancy Graves: Paintings, Sculpture and Works on Paper. Exh. brochure, The Lowe Gallery, Atlanta, GA, 2001, n.p.

Mattera, Joanne. The Art of Encaustic Painting: Contemporary Expression in the Ancient Medium of Pigmented Wax. New York, NY, 2001, pp. 22 and 25.

Streit-Lust. Exh. cat., Ludwig Forum, Aachen, Germany, 2001, pp. ?

Tannenbaum, Barbara, Mitchell D. Kahan and Jeffrey Grove. Akron Art Museum, Art Since 1850: An Introduction to the Collection. Akron Art Museum, Akron, OH, 2001, pp. 38, 188, 189 and 253.

Weingartner, Rudolph H. and Starr Figura. Prints by Sculptors: The Rudolph H. and Fannia Weingartner Collection of the Mary and Leigh Block Museum of Art. Exh. cat., Mary and Leigh Block Museum of Art, Northwestern University, Evanstown, IL, 2001, pp. 51, 74 and 75.


Adams, Laurie Schneider. Art Across Time 2nd ed. McGraw Hill, 2002, p. 1016.

Auping, Michael, ed. Modern Art Museum of Fort Worth110. London, England, 2002, pp. 15, 17, 72 and 240.

Barlow, Andrew. “The Heyer Bequest.” The Brighton and Hove Collections: Fine Art Highlights. The Royal Pavillion, Libraries and Museums, Brighton, England, 2002, p. 23.

Berger, Maurice, Guillaume Bernardi, Trisha Brown, Marianne Goldberg, Deborah Jowitt, Klaus Kertess, Laurence Louppe, Steve Paxton, Yvonne Rainer and Hendel Teicher. Trisha Brown: Dance and Art in Dialogue, 1961 – 2001.  Exh. cat., Addison Gallery of American Art, Phillips Academy, Andover, MA, 2002, pp. 12, 90, 130 – 139, 203, 260 – 262, 283, 292 and 314.

Carmean, Jr., E.A. Nancy Graves: An American Treasure. Exh. brochure, Meredith Long & Company, Houston, TX, 2002., n.p.

Delehanty, Suzanne. Miami Currents: Linking Collection and Community. Exh. brochure Miami Art Museum, Miami, FL, 2002, n.p.

Getlein, Mark. Gilbert’s Living with Art 6th ed. McGraw Hill, 2002, p. 262.

Kelder, Diane. Nancy Graves, Breaking Boundaries: Sculpture, Painting and Drawing on Loan from the Nancy Graves Foundation.  Exh. cat., Art Gallery of the Graduate Center, The City University of New York, NY, 2002.

Lippard, Lucy. “Taking Off: The Aves Works.” Nancy Graves Aves: Forms in Flight. Exh. cat., Knoedler & Company, New York, NY, 2002.

Personal and Political: The Women’s Art Movement, 1969-1975. Exh. brochure, Guild Hall, East Hampton, NY, 2002, n.p.

Preble, Duane, Sarah Preble and Patrick Frank. Art Forms 7th ed., Upper Saddle River, NJ, 2002, p. 30.

Stewart, Mary. Launching the Imagination: A Comprehensive Guide to Basic Design 1st ed. New York, NY, 2002, p. 3 – 3

The Mitchell Gallery. General brochure The Elizabeth Myers Mitchell Art Gallery, St. John’s College, Annapolis, MD, 2002, n.p.

Zelanski, Paul and Mary Pat Fisher. The Art of Seeing 5th ed. Upper Saddle River,NJ, 2002, pp. 184 and 185.


Art in the Chambers: Selections from the Orlando Museum of Art’s Permanen Collection. Exh. brochure, Orange County Government, Arts & Cultural Affairs, Orlando, FL, 2003, n.p.

Art Show and Benefit Sale: Trisha Brown Dance Company. Price list for benefit sale at PaceWildenstein, Chelsea New York, NY, January 2003, n.p.

Close, Timothy et al., American Art: Wilfred Davis Fletcher Collection. Exh. cat., Boise Art Museum, Boise, ID, 2003, pp. 58, 59 and 177.

Craves, Wayne. American Art: History and Culture revised 1st ed. McGraw Hill, 2003, pp. 596, 613 – 615 and title page.

Goodyear, Anne Collins et al. eds. Flight: A Celebration of 100 Years in Art and Literature. New York, NY and San Francisco, CA, 2003, pp. 184, 185 and 239.

Harper, Cheryl. “The Museum of Merchandise.” A Happening Place. Exh. cat., The Gershman Y, The Jewish Community Centers of Greater Philadelphia, Philadelphia, PA, 2003, pp. 47, 57, 63 and 70.

“July 2004.” Works from the JPMorgan Chase Art Collection, 2004 Calendar. JPMorgan Chase, 2003, n.p.

Lange-Berndt, Petra. Tierkörper in der zeitgenössischen Kunst, unpublished Dissertation for the University of Hamburg, Germany, 2004, pp. 131-166. illus. no. 240 – 249, 251, 254 – 257, 263, 266, 269, 274 – 279, 284, 288 – 290, 295 – 296, 298 – 302, 315 – 319, 322, 324.

Rodenberry, Heather K. Divas: A Selection of Women Artists of the 20th Century. Pensicola Museum of Art, Pensicola, FL, 2003, inside front cover, pp. 15 illus., 18 and 19.

Tesner, Linda Brady. Artists and Maps: Cartography as a Means of Knowing. Exh. cat., The Ronna and Eric Hoffman Gallery of Contemporary Art, Lewis & Clark College, Portland, OR, 2003, pp. 9 and 12.


Anderson, Mark, Chris Bruce, Keith Wells and Jim Dine. Extending the Artist’s Hand: Contemporary Sculpture from the Walla Walla Foundry. Exh. cat., Museum of Art, Washongton Stete University, Pullman, WA, 2004, pp. 9, 12, 22, 66 illus.,67 illus., 104 and 108.

Art in the Chambers: Selections from the Cornell Fine Arts Museum. Rollins College, Winter Park, FL. Exh. brochure, Orange County Government, Arts & Cultural Affairs, Orlando, FL, 2004, n.p.

Bee, Harriet S. and Michelle Elligott, eds. Art in our Time: A chronicle of The Museum of Modern Art. The Museum of Modern Art, New York, NY, 2004, p.152.

 Blackburn Cozad, Rachael. Kemper Museum of Contemporary Art: The First Ten Years Kansas City, MO, 2004, pp. 105 and 197.

Hunter, Sam, John Jacobus and Daniel Wheeler. Modern Art: Painting Sculpture Architecture Photography 3rd ed. Prentice Hall, 2004, pp. 385 and 386.

Rescher, Nicholas. “Perspectives on Nature in American Thought." in De Groot, Jean, ed., Nature in American Philosophy. Washington D.C. 2004, p. 177.

Vlas-Joones, Adelina. “Nancy Graves" in Pierre Théberge, Mayo Graham and Kitty Scott, Noah’s Ark. Exh. cat., National Gallery of Canada, Ottawa, 2004, pp. 10, 58, 59 and 108.


Kramer, Linda Konheim. “The Aesthetic Vocabulary of Nancy Graves.” Nancy Graves: A Retrospective.  Exh. cat. Ameringer & Yohe Fine Art, New York, NY, 2005.

Salvesen, Magda and Diane Cousineau. Artists’ Estates: Reputations in Trust. New Brunswick, NJ, 2005, pp. 202 and 203.

Sandback, Amy Baker, Nils Bütter, Robert Rainwater and Sarah Richards. Imagined Worlds: Willful Invention and the Printed Image 1470-2005. Exh. cat., AXA Gallery, New York, NY 2005, pp. 26, 27 fig. 13, 90 and 91.

Sasse, Julie. Paint on Metal: modern and contemporary explorations and discoveries. Exh. cat., Tucson Art Museum, Tucson, AZ, 2005, pp. 10, 12 fn. 29, 13, 64, 65 and 149.

Stein, Judith E.  “Nancy Graves: The Shining Elusive Element.” Nancy Graves: The Shining, Elusive Element. Exh. cat., Locks Gallery, Philadelphia, PA, 2005.


Adams, Laurie Schneider. Art Across Time 3rd ed. McGraw Hill, 2006, p. 984.

Berry, Ian. Michael Oatman: A Lifetime of Service and a Mile Of Thread. Exh. cat., The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, 2006, pp. 76, 77 and 93.

Brommer, Gerald F. Discovering Art History. Davis Publications, Worcester, M.A., 2006, p. ?

Buckberrough, Sherry. Femme brut(e). Exh. cat., Lyman Allyn Art Museum, New London, CT, 2006, pp. 10, 18 illus. and 20.

Erickson, Ruth, “Foreword” and Jane Kent “Essay.” 30 Years of New Year Graphics from the Jewish Museum. Exh. cat., Burlington City Arts/Firehouse Gallery, Burlington, VT, pp. 30 – 31.

Fishaut, Anna. Particular Presence: Discerning Meaning in Postminimal Casting. A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts, Department of Art History, Theory and Criticism, The School of the Art Institute of Chicago, 2006, pp. 2, 4, 6, 9, 29 – 39, 42 illus., 43 illus., 44 illus, 87 and 89.

Gillian Jagger lecture, March 14, 2006. Brochure lecture series New York Studio School of Drawing, Painting & Sculpture: Spring 2006 Evening Lecture Series, New York, NY, 2006, n. p.

Nugent, Bob and Donald Kuspit. Imagery: Art for Wine. San Francisco, CA, 2006, pp. XXI, 84, 85 and 272.

Ocvirk, Otto G., Robert E. Stinson, Philip R. Wigg, Robert O. Bone, and David L. Cayton. Art Fundamentals: Theory and Practice , 10th ed, McGraw Hill, 2006, p. 240.

Pérez-Oramas, Luis. An Atlas of Drawings: Transforming Chronologies. Exh. cat. The Museum of Modern Art, New York, NY, 2006, “Constructions,” fig. 34 illus.

Tuchman, Phyllis. “Introduction,” Nancy Graves 1970 – 1980. Exh. cat., Ameringer & Yohe Fine Art, New York, NY, 2006.


Cuperman, Pedro and Nancy Graves. Tango. Exh. cat., Punto de Contacto/ Point of Contact Inc., Syracuse, NY, 2007, illus.

Hayter, Carla Esposito. The Monotype: The History of a Pictorial Art. Skira, 2007, pp. 18 and 147 illus. and 200.

Rose, Barbara. “Nancy Graves: Art as Adventure.” Nancy Graves: Bronze Sculpture of the 1980s. Exh. cat. Ameringer & Yohe Fine Art, New York, NY, 2007.

Sanchez, Anna-Marie. “A Portrait Among the Paintings: The Legacy of Gordon F. Hampton” and Laurie Monahan, Ph. D., “Grand Gestures, Abstract language.” Grand Gestures: The Gordon F. Hampton Collection. Exh. cat., University Art Museum, California State University, Long Beach, CA, 2007, pp. 13, 14, 32 illus. and 56, cat. no. 11.

Twentieth Century Women Artists from the Frances Lehman Loeb Center, Vassar College. Exh brochure, The Gallery at the Park Avenue Bank, New York, NY, 2007, n.p. illus.

Wright, Tricia. Smithsonian Q & A, The Ultimate Question and Answer Book: American Art and Artists. Harper Collins, Irvington, NY, 2007, pp. 175 and 184.


Bishop, Budd Harris, Dulce Maria Román and Kerry Oliver-Smith. Paradigm to the Unexpected: Modern and Contemporary Art from the Shey Collection. Exh. cat., The Samuel Harn Museum of Art, Gainsville, FL, 2008, pp. 144 and 145.

Gioni, Massimiliano and Jarrett Gregory. After Nature. Exh. brochure, The New Museum, New York, NY, 2008, n.p.

Gioni, Massimiliano. “The Collapse of the stellar systems will occur – like creation – in grandiose splendor — Blaise Pascal.”. G. Sebald. After Nature. Exh. cat., The New Museum, New York, NY, 2008, n.p.

Mollweide-Siegert, Mona. Dorothee von Windheim: Auf der Suche nach Wirklichkeit, Zwei Werkgruppen im Kontext von Spurensicherung und Erinnerungskultur. Ph. D. thesis, University of Bonn, Germany, 2008.

Tucker, Marcia and Liza Lou, a short life of trouble: forty years in the new york art world. University of California Press, Ltd., 2009, pp. 74, 75, 86 – 87, 93 and 111.


The Year in Review: SCheMA 2007 – 2008: Smith College Museum of Art, “Acquisitions/Drawings.” (Smith College Museum of Art, Northampton, MA, 2009), p. 6.

Nancy Graves, September 17 – October 24, 2009. Exh. brochure, Ameringer/McEnery/Yohe, New York, NY, 2009) n.p.

Bissel, Gerhard. “Nancy Graves.” Allgemeines Künstlerlexikon, vol.61. Saur Publishers, Leipzig, 2009.

Davis, Zina. “The Lightness of Being.” Nancy Graves: Inspired Vision, Sculpture, Paintings, Drawings. Exh. cat., Joseloff Gallery, Hartford Art School, University of Hartford, CT, 2009.

Kotik, Charlotta. “Elizabeth Enders: Landscape/Language/Line.” Elizabeth Enders: Landscape/Language/Line. Exh. cat., Lyman Allyn Art Museum, New London, CT, 2009, p. 19.

Lagler, Annette. “Nancy Graves.” Ludwigs Grafik 1: Von Warhol bis Pettibon. Cologne, Germany, 2009, pp. 7, 17, 74 – 84 and 130.

Lange-Berndt, Petra, Animal Art: Präparierte Tiere in der Kunst 1850-1900. Munich, Germany, 2009, pp. 12, 91, 120 – 123, 127 – 129, 131 – 137, 139 – 151, 155, 159, 161, 185, 218, 233, 270 – 281.

Lange-Berndt, Petra. “Das Ende der Trophäen: Eine kurze Geschichte präparierter Tiere in der Kunst/ The Demise of Trophies: A short history of taxidermied animals in art.” In Peter Noever, ed. Möbel als Trophäe: Funiture as Trophy: Exh. cat., MAK (Österreichisches Museum für angewandte Kunst/Gegenwartkunst/ Austrian Museum of Applied Arts/Contemporary Art),Vienna, Austria, 2009, pp. 109 – 113.

Rattemeyer, Christian. The Judith Rothschild Foundation/Contemporary Drawings Collection: Catalogue Raisonné. The Museum of Modern Art, New York, NY, 2009, p. 135.

Romain, Dulce Maria, Kerry Oliver-Smith and Thomas W. Southall. American Selections from the Samuel P. Harn Museum of Art. Samuel P. Harn Museum of Art, University of Florida, Gainsville, FL, 2009,  pp. 146 – 147.

Tesner, Linda. “William Morris: The Early Artifacts.” SOFA West Santa Fe: Sculpture Objects & Functional Art Fair (SOFA). Exh. cat., SOFA West: Santa Fe Convention Center, Santa Fe, NM, 2009, p. 29.

Thompson, Matthew. No Sound. Exh. cat., Aspen Art Museum, Aspen, CO, 2009, pp. 6, and 12.


Nancy Graves Encaustics. Exh. brochure, R & F Gallery, Kingston, NY, Octobber 2 – November 20, 2010.

Water. Exh. brochure, Zimmerli Art Museum, Rutgers, New Brunswick, NJ, 2010, n.p.

Andrews, Richard, Mark A. Anderson, and Squire Broel, Nexus: Work & Vision/Squire Broel.  Exh. cat., Walla Walla foundry, Walla Walla, WA, 2010, pp. 2, 36, 38 illus. and 40.

Frank, Patrick and Sarah Preble. Prebles Artforms. 2010, p.?

Lippincott, Jonathan D. Large Scale: Fabricating Sculpture in the 1960s and 1970s. Princeton Architectural Press, New York, 2010, pp. 224 and 225.


Adams, Laurie Schneider, Art Across Time, 4th ed. McGraw Hill, New York, NY, 2011, p. 270.

Adams, Laurie Schneider, A History of Western Art, 5th ed. McGraw-Hill, New York, NY, 2011, p. 576.

Farrell, Jennifer, ed., Thomas Crow, Serge Guilbaut, Jan Howard, Robert Storr, and Judith Tannenbaum. Get There First, Decide Promptly; The Richard Brown Baker Collection of Post War Art. Exh. cat., Yale University Art Gallery, Yale University Press, 2011, p. 47 n.82, p.132 illus., p. 362.

Franzen, Brigitte, ed.,et al. Hyper Real – Kunst und Amerika um 1970, Hyper Real – Art and Amerika around 1970. Exh. cat. Ludwig Forum, Aachen, Germany. 420 pp in German and English. Walther Koenig, Cologne, 2011, pp. 29, 359, 407.

Franzen, Brigitte, ed., et al. Nie Wieder Stoerungsfrei! Aachen Avantgarde seit 1964. Exh. cat., Ludwig Forum, Aachen, 368 pp. German w English translations. Kerber Art, 2011, pp. 184 – 85 illus., pp. 294 – 95, illus.

Grachos, Louis, ed., Douglas Dreishpoon and Mariann W. Smith, Albright-Knox Art Gallery; Highlights of the Collection. Albright-Knox Art Gallery, 2011, p. 43 illus.

Marter, Joan. Grove Encyclopedia of American Art, 1st ed. 2011, p. ?

Ocvirk, Otto G., Robert E. Stinson, Philip R. Wigg, Robert O. Bone, and David L. Cayton, Art Fundamentals: Theory and Practice, 12th Ed. McGraw-Hill, New York. NY, 2011, p. 67, p. 92.


Cozzolino, Robert, ed. The Female Gaze; Women Artists Making their World. Exh. cat., The Pennsylvania Academy of Arts, Philadelphia, PA. Hudson Hills Press, 2012, p. 273 illus.


Franzen, Brigitte, and Annette Lagler, eds., Benjamin Dodenhoff, Brigitte Franzen, Walter Grasskamp, Christina Hunter, Linda Kohnheim Kramer, Annette Lagler, Petra Lange-Berndt, Josephine Mengedoht, Susan Rosenberg, Joan Simon. Interviews with Chuck Close, Yvonne Rainer, Nancy Graves Project & Special Guests. Exh. cat., Ludwig Forum, Aachen, Germany, Hatje Cantz, 2013, 304, p. German and English, 86 plates, 200 illus.

Franzen, Brigitte, and Holger Otten, eds. Nancy’s Cosmos. Children’s book for the exh. Ludwig Forum, Aachen, Germany, 2013, 80 p. German and Dutch, ill.

Halliday Johnson, Kelsey. “Synecdoche: Moving Towards Abstraction.” In Nancy Graves; Synecdoche. Exh. cat., Locks Gallery, Philadelphia, PA., 2013, 75 p. illus.

Sayre, Henry, ed. A World of Art. Pearson Education, Inc, 7th ed., 2013, pp. 308 – 09 illus.


Belasco, Daniel, ed., Dick Polich, Vanessa Hoheb, Thom Joyce, Dick Polich: Transforming Metal into Art. Exh. cat, Samuel Dorsky Museum of Art, State University of New York at New Paltz, New Paltz, NY, 2014, pp. 23, 24, 26, 27, 65 – 69, 90, 100 illus.

Cooper, Harry, ed. Modernism from the National Gallery of Art; The Robert and Jane Meyerhoff Collection. Exh. cat., de Young Museum, San Francisco, CA, Fine Arts Museums of San Francisco, 2014, pp.72 – 73 illus.

Marking Twenty Years. Exh. cat., The Kemper Museum of Contemporary Art, Kansas City, MO, 2014 p. 70.

Zummo, Peter, “Lateral Pass: About The Recording”, liner notes for Lateral Pass, LP recording, Foom, 2014, cover illus.

“Film Screening: Aves.” Introduced by Christina Hunter, Smithsonian American Art Museum: The Singing and the Silence: Birds in Contemporary Art. Museum magazine, Smithsonian American Art Museum, Washington, DC. Winter 2014 – 2015, 


Lombino, Mary-Kay. XL: Large-Scale Paintings from the Permanent Collection. Exh. brochure. The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY, 2015, np.

Montross, Sarah J., ed., Rodrigo Alonso, Miguel Angel Fernandez Delgado, Rory O’Dea, Past Futures: Science Fiction, Space Travel, and Post-War Art of the Americas. Exh. cat, Bowdoin College Museum of Art, Brunswick, ME and MIT Press, Cambridge, M.A., 2015, p. 23, and pp. 5, 24, 68, 69, 70, 71, illus.

Hunter, Christina, Christopher Lyon, Linda Nochlin. Nancy Graves. Exh. cat. Mitchell-Innes & Nash Gallery, New York, NY, 2015, 80 pp.

Nochlin, Linda, "Nancy Graves: The Subversiveness of Sculpture" in Women Artists; The Linda Nochlin Reader. Edited by Maura Reilly. Thames & Hudson,  New York, 2015, pp. 153 – 160, ill.


Kushner, Marilyn, "Pushing Boundaries; Dine, Graves, Lichtenstein, Rauschenberg and Rosenquist: Collaborations with Donald Saff" in Farnsworth, Volume 13, Summer 2016. Exh. cat. The Farnsworth Art Museum, Rockland, ME, pp. 10 – 14, ill


Rosenberg, Susan, "The Name of the Game; Set and Reset (1983) and Lateral Pass (1985)" in Trisha Brown; Choreography as a Visual Art, Wesleyan University Press, Middletown, CT, 2017 pp. 262 – 289, ill.

Siren, Janne, ed.,Taste, Rich Products Corporation, Buffalo, NY, 2017, p. 38 ill.

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